Showing posts with label Adaptations. Show all posts
Showing posts with label Adaptations. Show all posts

CALL FOR PAPERS: Corruption: Deviation, Degradation, and Malfeasance in the Early Modern Period

Postgraduate Conference 28 April 2017, City Campus, University of Worcester

Plenary Speaker: Professor David Roberts, Birmingham City University

Whether perceived or actual, corruption signifies a failure in norms, order and structure, heightens anxieties concerning personal and institutional conduct, and undermines the ideal of the benevolent, disinterested exercise of power. Originally implying bodily decay, the Early Modern period witnessed the term ‘corruption’ broaden in meaning to incorporate the venality of politics, religion, monarchy, society and culture to reflect a variety of highly contested ideological positions: established religious foundations became threatened through the perceived corruption of the Catholic church and emerging religious factions; concerns about royal lineage became exacerbated by the succession of not one but two unmarried female monarchs; an expanding printing press troubled defenders of high-culture and ‘taste’ as literary standards faced apparent threats from the products of the ‘un-polite’ mass in an increasingly commodified society; and notions of gender, sexuality, and purity underwent an unprecedented refashioning in response to this transforming social, cultural and political environment.

How contemporaries of the early modern period experienced and responded to such notions of corruption is the focus of the first postgraduate conference of Worcester’s Early Modern Research Group. We welcome proposals from postgraduate students and researchers (MA, MRes, early PhD stage) for 20-minute papers that consider literary, religious, political, historical, cultural, and social notions of corruption during the early modern period, c.1550-1800. Relevant themes and topics include, but are not limited to:
  • Editing and pirating, rewriting of texts, adaptations of films or plays 
  • Corruption of genre, form, stage, literary convention 
  • Disease, decay 
  • Corruptive power – moral, legal, political, institutional 
  • Social disorder 
  • Corruption of culture, ethnicity, race or class 
  • Sexual deviation, perversion and the corruption of normative gender models 
  • Corruption of the family unit 
  • Sacred or environmental corruption 
  • Corruption of the transmission of information 

Proposals for individual papers or complete panels should be directed to Kirsty Driscoll and Lucy Cooper at EMRG by 1st March 2017.

CALL FOR PAPERS: Shakespeare and Cervantes: 1616 - 2016

2016 marks the fourth centennial of the death of the greatest Renaissance writers: William Shakespeare and Miguel de Cervantes. Potential contributors are invited to celebrate their global cultural legacy. Submissions might address any related issues including, but certainly not limited to, the following:

  • The myth of authorship: Cervantes’s fictitious authorship (Mata, 2008) and the Shakespeare authorship question (Bradbeer and Casson, 2015)
  • Shakespeare’s and Cervantes’s role in the genealogy of such modern ideas as love and friendship (Donskis, 2008) as well as in the humanist educational revolution;
  • The two writers’ concerns overlapping with our understanding of Green politics (Egan, 2006);
  • Imitating and imitated: Shakespeare, Cervantes, and the dynamics of literary influence;
  • Servants’ resistance (Shin, 2010) in Shakespeare’s and Cervantes’ works as a literary solution to the narrative and ideological problem of ineffectual or tyrannical authority;
  • Popular historical and political appropriations of Shakespeare and Cervantes as part of a wider popular culture interest and investment in the Renaissance (Semenza, 2010);
  • Shakespeare, Cervantes, and the problem of adaptation: the wide variety of guises under which their work circulates;
  • Shakespeare’s wife (Greer, 2008), Cervantes’s daughter, and the ‘problematic’ woman (Gay, 1994) in their life and works;
  • The roots of political theory and the discourse of politics in the writings of Shakespeare and Cervantes (Cascardi, 2012).

Deadline for article submission: 1 June 2016. We welcome papers in English, Spanish, French, German, and Romanian. Please send the abstracts (ca 200 words), the full paper (up to 7000 words), as well as a brief biographical note (ca 400 words) to the following addresses: lumi_t@yahoo.com, corneliamacsiniuc@yahoo.com

For details regarding style, please visit the following page:http://meridiancritic.usv.ro/index.php?page=instructions-to-authors 

We also welcome book-length studies in the field of literature and linguistics, published in 2015, to be reviewed in our journal. Please send the books to the following address: Meridian critic, Facultatea de Litere şi Ştiinţe ale Comunicării, Universitatea „Ştefan cel Mare” Suceava, Str. Universităţii nr. 13, 720229 Suceava, Romania

CALL FOR PAPERS: Adaptation and Dance


Dance productions frequently draw on artistic precedents. Ballet companies rely on classics based on fairy and folk tales but audiences also enjoy an expanding repertoire of works based on a broader range of sources: art – The Green Table, The Rake’s Progress, A Simple Man; the Bible – Job, The Judas Tree, The Prodigal Son; film – Edward Scissorhands; biography – Anastasia, Fall River Legend, Mayerling; children’s literature – The Tales of Beatrix Potter; novels – Anna Karenina, The Great Gatsby, Manon, Woolf Works; operas – The Car Man, Madame Butterfly; plays – Edward II, Hobson’s Choice; poetry – Images of Love. Shakespeare has provided inspiration for a large number of dance-makers. These examples signal how across several decades choreographers working globally with a range of companies have produced one-act and full-length pieces for stage and screen.

In recent years there has been growing interest in the analysis of a range of topics connected with adaptation and dance. By bringing together scholars and practitioners, this one-day conference seeks to move away from the dominant focus on film and television in Adaptation Studies and consider the neglected area of dance. Papers are invited on topics related, but not limited, to:
  • Fairy and folk tale ballet adaptations
  • The history of ballet adaptations
  • Modern dance and classical ballet interpretations of literary works
  • Key choreographers as adaptors
  • The idea of the choreographer as ‘auteur’
  • Dance adaptations of novels and poems
  • Stardom, celebrity and dance adaptations
  • Shakespeare and ballet
  • Genres of dance adaptation
  • The theoretical underpinnings of Adaptation Studies in relation to dance

It is hoped that selected papers will form an edited collection. Proposals (between 50–100 words) and a brief biographical note should be sent to Elinor Parsons (eparsons@dmu.ac.uk) and Hila Shachar (hila.shachar@dmu.ac.uk) by 6 November 2015.

Middle Ages in the Modern World (MAMO) 2015

Following the success of MAMO 2013, held at St Andrews last year, we are proud to announce that a follow-up conference will be held from Monday 29 June to Thursday 2 July 2015 at the University of Lincoln. It will also be held in conjunction with Lincoln’s celebrations of the 800th anniversary of Magna Carta, where Lincoln’s own copy of the Magna Carta will have returned and be back proudly on display in the castle.

As the title suggests, MAMO aims to explore the continued return to, and relevance of, the Middle Ages in the modern world, and why the period continues to attract audiences and scholars. Particularly, its interdisciplinary focus is designed to explore a range of areas, from popular culture to public history, from science to advertising, and even legal frameworks and political rhetoric. Given the popularity of medievalism as a growing discipline, and given the fantastic reception of the last conference, we are expecting a wide audience from a range of fields and disciplines including History, Literature, Film & Television, Video Games, Performing Arts, Drama, Languages, Museum Curation and more besides.

Specific themes include, but are by no means limited to:
  • The reception of the Middle Ages in the arts, music, film, politics & popular culture 
  • The significance and relevance of Magna Carta to the modern world 
  • Medievalism and Orientalism 
  • Translating and interpreting medieval texts 
  • Re-enactment and revival 
  • Fantasy and the Middle Ages 
  • Eco-Medievalism and postmodern approaches to medieval studies 
  • The Middle Ages in Film, Television, Comic Books and Graphic Novels 
  • Medievalism and video games 
  • Science and the Middle Ages 
  • The Middle Ages and documentary programming 

In this first round we welcome both proposals for complete panels as well as individual proposals for papers. There’s also a PDF version for download, so please do spread the word to your networks; click here for the Call for Papers poster.

For individual papers, abstracts of 250-300 words should be sent to themamoconference@gmail.com, by 15 September 2014.

We will be keeping all of the details and information up to date through the Facebook group, through the Twitter hashtag #MAMO2015 or on our conference website, located at www.themamo.org. Details of keynotes will be released shortly, and later in the year we will post further information on accommodation, registration and other details. For specific enquiries or details about the conference themes and logistics please contact Andrew Elliott directly on aelliott@lincoln.ac.uk.

Panel proposals should include abstracts, names and contact details of presenters and a short (c. 200 word) description of the panel itself with the organiser’s contact details; these should be sent by Sunday 31 August 2014.

‘Moveable Types: People, Ideas and Objects: Cultural exchanges in Early Modern Europe’

University of Kent, 27th-29th November

'Moveable Types' is a three-day conference, held at the University of Kent, which aims to re-examine the processes of cultural exchange in early modern Europe. Traditional historiography has tended to focus on a bilateral transfer of cultures, which, however meaningful, also lift out individual moments of cultural exchange from the environment which made such encounters not only possible, but also significant. By considering cultural exchange in discrete, isolated moments, one runs the risk of oversimplifying the complex networks of cultural exchange in Europe, and thereby skewing European history into a nation-centred perspective.

Recent scholarship such as histoire croisée, entangled histories, cultural translation and actor network theory (ANT) are, meanwhile, looking at such processes in their entirety, as a noisy hubbub rather than a dialogue between binaries (writer and reader, buyer and seller, one nation and another). These approaches explore a network of different elements and characters, all of which are given equal agency in shaping each others' views of the world.

This conference will explore the implications of these recent developments in scholarship by inviting papers with an interdisciplinary approach to cultural exchange in the early modern period. The objective is thus to question the binaries of traditional scholarship, and to suggest new ways of considering the cultural connections that were being formed, broken and reformed in this period.

Confirmed keynote speakers:
Andrew Pettegree (University of St Andrews);
Tiffany Stern (University of Oxford);
Gilles Bertrand (Université Pierre Mendès France, Grenoble);
Ruth Ahnert (Queen Mary, University of London).

We invite papers on the following topics:
  • literary translation and adaptation;
  • exchange of ideas (scientific, humanist, technological, artistic);
  • epistolary networks;
  • theory of cultural exchange or cultural networks;
  • paths of ambassadors, sailors, traders, book pedlars and other travellers;
  • news, gossip and news books;
  • spaces of cultural exchange: cities, fairs, universities, theatres;
  • the making, trading, and consumption of consumer items;
  • any other paper relating to early modern cultural exchange.

Abstracts should be sent to moveabletypesconference@gmail.com before 1st of August 2014 and should not be longer than 300 words. Please include affiliation and contact information, as well as a short biographical note, on a separate document. For more information please visit http://moveabletypes.wordpress.com/ or e-mail moveabletypesconference@gmail.com.

Conference Sponsors:
'Moveable Types' is supported by The Royal Historical SocietyThe University of Kent's School of HistoryThe Kent Institute for Advanced Studies in Humanities (KIASH), and Text and Event in Early Modern Europe (TEEME).



CALL FOR PAPERS: Middle Ages in the Modern World (MAMO) 2015

Following the success of MAMO 2013, held at St Andrews last year, we are proud to announce that a follow-up conference will be held from Monday 29 June to Thursday 2 July 2015 at the University of Lincoln. It will also be held in conjunction with Lincoln’s celebrations of the 800th anniversary of Magna Carta, where Lincoln’s own copy of the Magna Carta will have returned and be back proudly on display in the castle.

As the title suggests, MAMO aims to explore the continued return to, and relevance of, the Middle Ages in the modern world, and why the period continues to attract audiences and scholars. Particularly, its interdisciplinary focus is designed to explore a range of areas, from popular culture to public history, from science to advertising, and even legal frameworks and political rhetoric. Given the popularity of medievalism as a growing discipline, and given the fantastic reception of the last conference, we are expecting a wide audience from a range of fields and disciplines including History, Literature, Film & Television, Video Games, Performing Arts, Drama, Languages, Museum Curation and more besides.

Specific themes include, but are by no means limited to:
  • The reception of the Middle Ages in the arts, music, film, politics & popular culture
  • The significance and relevance of Magna Carta to the modern world
  • Medievalism and Orientalism
  • Translating and interpreting medieval texts
  • Re-enactment and revival
  • Fantasy and the Middle Ages
  • Eco-Medievalism and postmodern approaches to medieval studies
  • The Middle Ages in Film, Television, Comic Books and Graphic Novels
  • Medievalism and video games
  • Science and the Middle Ages
  • The Middle Ages and documentary programming

In this first round we welcome both proposals for complete panels as well as individual proposals for papers. There’s also a PDF version for download, so please do spread the word to your networks; click here for the Call for Papers poster.

For individual papers, abstracts of 250-300 words should be sent to themamoconference@gmail.com, by 15 September 2014.

We will be keeping all of the details and information up to date through the Facebook group, through the Twitter hashtag #MAMO2015 or on our conference website, located at www.themamo.org. Details of keynotes will be released shortly, and later in the year we will post further information on accommodation, registration and other details. For specific enquiries or details about the conference themes and logistics please contact Andrew Elliott directly on aelliott@lincoln.ac.uk.

Panel proposals should include abstracts, names and contact details of presenters and a short (c. 200 word) description of the panel itself with the organiser’s contact details; these should be sent by Sunday 31 August 2014.

CALL FOR PAPERS: ‘Moveable Types: People, Ideas and Objects: Cultural exchanges in Early Modern Europe’

University of Kent, 27th-29th November

'Moveable Types' is a three-day conference, held at the University of Kent, which aims to re-examine the processes of cultural exchange in early modern Europe. Traditional historiography has tended to focus on a bilateral transfer of cultures, which, however meaningful, also lift out individual moments of cultural exchange from the environment which made such encounters not only possible, but also significant. By considering cultural exchange in discrete, isolated moments, one runs the risk of oversimplifying the complex networks of cultural exchange in Europe, and thereby skewing European history into a nation-centred perspective.

Recent scholarship such as histoire croisée, entangled histories, cultural translation and actor network theory (ANT) are, meanwhile, looking at such processes in their entirety, as a noisy hubbub rather than a dialogue between binaries (writer and reader, buyer and seller, one nation and another). These approaches explore a network of different elements and characters, all of which are given equal agency in shaping each others' views of the world.

This conference will explore the implications of these recent developments in scholarship by inviting papers with an interdisciplinary approach to cultural exchange in the early modern period. The objective is thus to question the binaries of traditional scholarship, and to suggest new ways of considering the cultural connections that were being formed, broken and reformed in this period.

Confirmed keynote speakers:
Andrew Pettegree (University of St Andrews);
Tiffany Stern (University of Oxford);
Gilles Bertrand (Université Pierre Mendès France, Grenoble);
Ruth Ahnert (Queen Mary, University of London).

We invite papers on the following topics:
  • literary translation and adaptation;
  • exchange of ideas (scientific, humanist, technological, artistic);
  • epistolary networks;
  • theory of cultural exchange or cultural networks;
  • paths of ambassadors, sailors, traders, book pedlars and other travellers;
  • news, gossip and news books;
  • spaces of cultural exchange: cities, fairs, universities, theatres;
  • the making, trading, and consumption of consumer items;
  • any other paper relating to early modern cultural exchange.

Abstracts should be sent to moveabletypesconference@gmail.com before 1st of August 2014 and should not be longer than 300 words. Please include affiliation and contact information, as well as a short biographical note, on a separate document. For more information please visit http://moveabletypes.wordpress.com/ or e-mail moveabletypesconference@gmail.com.

Conference Sponsors:
'Moveable Types' is supported by The Royal Historical Society, The University of Kent's School of History, The Kent Institute for Advanced Studies in Humanities (KIASH), and Text and Event in Early Modern Europe (TEEME).


CALL FOR PAPERS: Special Issue of Shakespeare: Adaptation and Early Modern Culture: Shakespeare and Beyond

British Shakespeare Association, deadline 15 September 2014.

Adaptation and early modern culture have provided a particularly fruitful area of study in recent years. Yet very often such studies have tended to focus primarily on Shakespeare and on film. The purpose of this special issue of Shakespeare, the journal of the British Shakespeare Association, is not only to add to this focus, but to expand it. The title of the issue has been chosen to allow a wide field of exploration for contributors, including as it does both adaptation in early modern culture, and adaptation of early modern culture in later periods.

Therefore, although we welcome articles on Shakespearean film adaptations, we also actively seek essays that go beyond such a focus to consider a wider range of adaptation practices and concerns. We look for essays that consider how we might think about adaptation practices in the early modern period, as well as essays that examine adaptations of non-Shakespearean texts. We invite contributors to consider the productive tension that early modern texts arouse in later adaptations, a tension often inspired by the differences between early modern and modern conventions of gender, race, class, and religion.

Articles of up to 6000 words are sought and, in accordance with the journal’s policy, all contributions will be peer-reviewed with at least two anonymous readers prior to being accepted. Shakespeare uses the MLA style as defined in the latest edition of the MLA Handbook. For more details, please see the “Instructions for Authors” section in www.tandf.co.uk/journals/shakespeare. This issue will be published in the first quarter of 2015, but if the issue is proofread and copy-ready earlier it may be published online earlier, due to the journal’s “Online First” policy. Please email completed articles and/or any queries to the guest editor, Jennifer Clement, by 15 September 2014.


CALL FOR PAPERS: Early Modern Jarman

a Jarman 2014 event, 1 February 2014, Anatomy Theatre & Museum, King's College London

We invite proposals for papers (20 mins) on Jarman's adaptations of early modern texts and his deployment of historical figures and images in relation to: punk and the avant garde; national identity; politics and activism; sexuality/gender/desire; HIV/AIDS.

Keynote papers will be given by Jim Ellis (University of Calgary), Jeffrey Masten (Northwestern University) and Pascale Aebischer (University of Exeter). The conference includes admission to the “Pandemonium” exhibition in the Inigo Rooms (Somerset House East Wing), King's College London.

Expressions of interest should be sent to the organizers, Pascale Aebischer and Gordon McMullan, by 29 November 2013. Proposals from PhD students working in all appropriate fields (early modern studies, film studies, art history, etc.) are especially welcome.

The conference fee is £35 (waged) or £25 (unwaged).

Selected papers will be included in a special issue of Shakespeare Bulletin. Proposals of up to 300 words for 6000‐word essays should be sent to the special issue guest editor, Catherine Silverstone, by 8 November 2013.

For further information, see http://www.press.jhu.edu/journals/shakespeare_bulletin/calls.html. The conference is hosted by the London Shakespeare Centre and supported by Shakespeare Bulletin and the Centre for Early Modern Studies at the University of Exeter.