Showing posts with label Rhetoric. Show all posts
Showing posts with label Rhetoric. Show all posts

CALL FOR PAPERS: Truth and Truthiness: Belief, Authenticity, Rhetoric, and Spin in the Middle Ages & Renaissance

Truth and Truthiness: Belief, Authenticity, Rhetoric, and Spin in the Middle Ages and Renaissance

December 1, 2018
The 26th Biennial Conference of the Medieval and Renaissance Studies Program of Barnard College

Plenary Speakers: Lorna Hutson (University of Oxford), Dyan Elliott (Northwestern University)

The capacity of language both to communicate truth and to manipulate perceptions of it was as vexed a problem for the Middle Ages and Renaissance as it is today. From Augustine to Erasmus, enthusiasm for the study of rhetoric was accompanied by profound concern about its capacity to mask the difference between authenticity and deceit, revelation and heresy, truth and truthiness. Even the claim of authenticity or transparency could become, some thinkers argued, a deliberate form of manipulation or “spin.”

In our current era when public figures aim to create effects of immediacy and authenticity, this conference looks at the history of debates about rhetoric and, more generally, about the presentation of transparency and truthfulness. Taking an interdisciplinary approach, this conference considers the role of the verbal arts in the history of literature, law, politics, theology, and historiography, but also broadens the scope of rhetoric to include such topics as the rhetoric of the visual arts and the language of the new science to produce effects of objective access to “things themselves.”

Please submit an abstract of 250–300 words and a 2-page CV by April 30, 2018 to Rachel Eisendrath

CALL FOR PAPERS: 'Locating the Ancient World in Early Modern Subversive Thought'

Newcastle University, 12th-14th April 2018

Dichotomies have long been used to define the intellectual developments of early modern Europe - reason and faith; authority and subversion; science and humanism; radicalism and tradition; heterodoxy and orthodoxy — with classical thought usually located on the side of tradition, a behemoth of learning which inhibited man’s reason and his ability to learn through observation. Such unilinear accounts of the progression to modernity have been subjected to increasingly numerous challenges in the last two decades, as scholars have sought to demonstrate that the ideas which drove Europe towards the Enlightenment were far more complex and multi-layered than suggested by the traditional narratives.

The aim of this conference is to expand on this revived appreciation of the classical influence in early modernity by looking specifically at the role played by the ancient world in that sphere from which it has most usually been excluded: subversive literature. The idea that the texts, philosophies, and exempla of the ancient world might have served as significant tools for those who sought to undermine and challenge political, religious and cultural authority stands in direct opposition to the traditional role assigned to the classics in this period. Emphasising an interdisciplinary approach, this conference will draw scholars together to build a coherent picture of how the classical tradition functioned as a tool for subversion, illuminating a previously neglected aspect of the ancient world in the early modern thought.

The keynote speakers will be Peter Harrison (University of Queensland) and Marianne Pade (Danish Academy at Rome).

We are inviting abstracts for papers of thirty minutes on topics including, but not limited to:

  • Ancient philosophical involvement in epistemological challenges to traditional understandings of knowledge and belief
  • Ancient theories of natural philosophy in the debates concerning God and the universe in both religion and science
  • The contribution of ancient texts to the arguments for natural religion, and against magic, miracles, and the supernatural
  • Classical rhetoric and literary forms as models for argumentation in subversive treatises, polemics, pamphlets, poetry, and other literary genres
  • Ancient religion in the construction of arguments in favour of toleration, and the establishment of a civil religion
  • The function of ancient examples in radical political ideologies, including republicanism, democracy, and theories of resistance and revolution
  • Classical scholarship as a tool for subversion, and print culture as a sphere facilitating this function of the classics


If you would like to offer a paper for the conference, please submit an abstract of 300 words to Katherine East by 9th February 2018.

See Locating Subversion for further information.


Katherine A. East
Leverhulme Early Career Fellow
School of History, Classics, and Archaeology
Newcastle University

Erotema – A Conference on Rhetoric and Literature

Karlstad University, Sweden, 14–16 September 2017

Rhetoric, literature – what’s the difference? For hundreds of years, no one bothered to ask – literature was simply seen as a species of rhetoric. The two subjects were taught as one well into the nineteenth century (as witness text-books like David Williams’s 1850 Composition, Literary and Rhetorical, Simplified), but in response to shifting social demands and artistic practices, the study of literature was gradually separated from the study of rhetoric. For most of the twentieth century they have been seen as contrasting rather than complementary practices, as a rule organized as distinct departments in the academy.

Today, we find ourselves in a situation in which many of the reasons literature emerged as a distinct discipline in the first place no longer seem to apply. Like the humanities in general, literary studies at present face a series of challenges, of an external as well as of an internal nature. Books such as In Defense of a Liberal Education, Not For Profit: Why Democracy Needs the Humanities, and The Public Value of the Humanities make strikingly evident that the value of the liberal arts can no longer be taken for granted. Internal challenges meanwhile, include questions of what role literary studies can play in a global economy in which national boundaries no longer seem of principle importance, and distinctions between high and low culture long since have evaporated.

The time thus seems ripe to open the rhetorical question anew. Could rhetoric play a more central role in literary studies than it hitherto has? Do both fields stand something to gain by a closer collaboration? Might such a combination of perspectives even be a means to open up rhetoric and literary studies alike to other disciplines, such as media studies, language studies, art history and pedagogy?

Erotema: A Conference on Rhetoric and Literature proceeds on the assumption that even if questions of the above order to some of us may seem mere rhetorical questions – erotemata – they demand genuine answers. To that end, we invite papers that address old and new ways in which the relations between rhetoric and literature may be further explored.

Proposals of 300-400 words for 20-minute papers dealing with rhetoric and literature in relation to

  • the history of literature and/or rhetoric
  • language studies
  • translation studies
  • historical studies
  • teaching
  • subject specific teaching methodology
  • political theory
  • media theory
  • genre theory
  • gender studies
  • postcolonial studies
  • cultural studies

or any other topic, should be sent to erotema@kau.se, by January 13, 2017.

We are delighted to present keynotes from:

Roy Eriksen (University of Agder, Norway) is Professor English Renaissance Literature and Culture. He is the author of The Building in the Text. Alberti to Shakespeare and Milton (2001) and the co-editor (with Toril Moi) of Rhetoric Across the Humanities (1999).

Xing Lu (DePaul University, USA) is the author of Rhetoric in Ancient China, Fifth to Third Century B. C. E.: A Comparison with Greek Rhetoric (1998), as well as Rhetoric of the Chinese Cultural Revolution: Impacts on Chinese Thought, Culture, and Communication (2004). Her academic interests include Chinese rhetoric, comparative rhetoric, intercultural/multicultural communication, language and culture, cultural identity, and Asian American communication.

Richard Walsh (University of York, England) is the author of The Rhetoric of Fictionality, which develops a pragmatic rhetorical perspective to articulate a fundamental critique of some basic concepts and assumptions in narratology: the narrator, story and discourse, mimesis, voice, emotional involvement, narrative creativity and fictionality itself. His research has extended to film, graphic narrative, interactive media and music.

Andrzej Warminski (University of California, USA), is professor of English and a specialist in 'literary theory'--with the stress on the word (and the question of the) 'literary'--from Plato to the present. His two most recent books, Material Inscriptions: Rhetorical Reading in Practice and Theory and Ideology, Rhetoric, Aesthetics: For De Man (both 2013), document his interest in the question of reading, of language, and of the rhetorical dimension of language.

Laura Wilder (SUNY), is the author of Rhetorical Strategies and Genre Conventions in Literary Studies: Teaching and Writing in the Disciplines, which underscores the centrality of rhetoric also to the teaching of literature and other academic subjects. Throughout her research, Wilder explores the ways literary scholars, like other disciplinary specialists, tacitly share a distinct set of rhetorical strategies for effective argumentation which support the production of new knowledge, highlighting the often unacknowledged role of these argumentative conventions in the undergraduate literature classroom.

Erotema is organized by KuFo, the culture studies research group at Karlstad University.