Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Medieval and Early Modern Spaces and Places, The Open University

The Open University will be hosting their annual two-day conference on spaces and places on 23-24 February 2018

The conference will examine life in buildings, institutions and broader geographical areas from a variety of perspectives and will consider the following questions:
  • How were medieval and early modern spaces adapted and transformed through the movement of material and immaterial things?
  • Which particular aspects of political, social and economic infrastructures enabled the exchange of objects and ideas?
  • To what extent did a sense of place depend upon the activities taking place there?

Further details here    Register Here

Provisional Programme

Friday 23 February

9:45-10:00 Registration

10:00 Introductory remarks (Helen Coffey and Leah Clark)

10:15 Spaces and Bodies
  • Anuradha Gobin, University of Calgary: ‘Subverting Spaces of Control: Transformation, Deviance and Identity Formation in the Dutch Republic’
  • Michael Grillo, University of Maine: ‘Spatial Memory, Mapping and Perspective in the Wake of the Plague’
  • Naomi J. Barker, The Open University: ‘Intellectual polyphony: Music at the Ospedale di Santo Spirito in Sassia, Rome, 1600-1630’

11:45 Break

12:15 Travels and Movement
  • Jennifer Allport Reid, Birkbeck, University of London: ‘‘Fallen Am I in Dark Uneven Way’: Wandering from the Road in Early Modern Folklore’
  • Lisa Regan, University of California, Berkeley/IES, Vienna: ‘When the City Gates Close: Wayfaring Chapels and the Disciplining of Space’

13:15 Lunch

14:15 Sacred Spaces I
  • Zahra Ahari, Shahid Beheshti University, Tehran: ‘Transformation of Mosalla into space of spectacle in Safavid Isfahan’
  • Judith Utz, Freie Universität Berlin/Bibliotheca Hertziana, Rome: ‘Materiality and Space. Southern Italian Exultet scrolls in their liturgical setting’

15:15 Break

15:45 Sacred Spaces II
  • Julia Kotzur, University of Aberdeen, ‘Performing Spatial Change: Transformations and Redefinitions of Religious Space in Jonson’s The Alchemist and Bartholomew Fair’
  • Kader N. Hegedüs, University of Lausanne, “A scant map of this”: John Donne and the (Un)mapping of the Reformation’

17:15 End (Reception/Dinner in evening)


Saturday 24 February
10:00 Domestic Spaces
  • Stephanie Bowry, University of Leicester: ‘”A goodly Gallery with a most pleasaunt Prospect […]”: Early Modern Gardens and Galleries as Entangled Spaces’
  • Lynsey McCulloch, Coventry University: ‘Choreographing the Early Modern Garden’
  • Audrey Thorstad, Bangor University: ‘”When thou comes to a lordis gate”: Hospitality and Socialising Spaces in Tudor Castles’

11:30 Break

12:00 Women and Domestic Space
  • Ja Young Jeon, City University of New York: ‘“Enter my closet”: The Gendered Early Modern Closet in The Changeling’
  • Eva Lauenstein, Birkbeck, University of London: ‘Within these tombes enclos’d’: Interring Renaissance Love in Mary Sidney Herbert’s Antonius

13:00 Lunch

14:00 Urban Spaces
  • Luise Scheidt, University of Cambridge: ‘An Iconography of Warfare: The Representation of Battle and Military Success in Early Modern Venetian Spaces’
  • Koching Chao, University of York: ‘Constituting Public Piazza in Trecento Communal Statues: Framing Montepulciano’s Piazza Grande in 1337’

15:00 Break

15:30 Performance Spaces
  • M.A.Katritzky, The Open University: ‘Transnational interpretations of theatrical space at the 1589 Florentine intermedi’
  • Michael Gale, The Open University: ‘Music-making and identity-formation in the Elizabethan universities’

17:00 End

CALL FOR CONTRIBUTIONS: 'Shakespeare and Dance'

A new edited volume: Shakespeare and Dance
Editors: Dr Lynsey McCulloch (Coventry University) and Dr Brandon Shaw (Brown University)

We are seeking potential contributors to an edited volume of essays on the subject of Shakespeare and Dance. Despite much academic interest in movement, materiality and the body – and the growth of dance studies as a disciplinary field – Shakespeare’s employment of dancing as both theatrical device and thematic marker remains under-studied. The reimagining of his plays as dance works is also neglected as a subject for research. This volume looks to examine Shakespearean dance in all its variety, with the objectives of stimulating interest in and producing conceptual schema relevant to this growing area of study.

The proposed volume will feature essays not only from literary scholars but also from dance historians, choreographers and practitioners, historical dance reenactors; music specialists, dance critics and performance theorists. Topics might include the following: early modern choreography; masque culture and influence; the jig, and dance as resolution; Shakespeare’s dance sequences; the early modern dancing body; music and dance; movement direction in Shakespearean performance; Shakespeare as dance within balletic and contemporary choreographies. We also welcome co-authored works, particularly those in partnership with dance practitioners.

After discussions with a prominent academic press, we aim to submit a full proposal in September this year. Please send an abstract of no more than 300 words, alongside a short biography, to Dr Brandon Shaw at brandon_shaw@brown.edu and Dr Lynsey McCulloch at lynsey.mcculloch@coventry.ac.uk by August 15th, 2014. Selected authors will be notified by August 31st, 2014. Completed essays of approx. 8000 words will be due mid-2015, subject to contract.

Shakespeare, Music and Performance

An international conference to be held at Shakespeare's Globe 3-5 May 2013

To find out more or register go to: Shakespeare's Globe Conferences
For more information contact Farah Karim-Cooper 
Head of Research & Courses, Globe Education
020 7902 1439

Conference Schedule:

Friday 3rd May

9.30am-10.00am:
Coffee & Registration

10.00am – 10.30am: 
Welcome & Introduction
Professor David Lindley (University of Leeds) 
Dr Farah Karim-Cooper (Shakespeare’s Globe)

10.30am – 11.30am: 
KEY NOTE: Professor Linda Austern (North Western University) 

11.30am – 11.45am: Coffee Break 

11.45am – 1.15pm: 
PANEL - Music in the Shakespearean Theatre 
Simon Smith (Birkbeck)
Paul Faber (University of Leeds)
Katherine Hunt (London Consortium and Birkbeck)

1.15pm – 2.15pm: 
LUNCH 

2.15pm – 3.30pm: 
PANEL - Song
Professor Tiffany Stern (University of Oxford) 
Bill Barclay (Shakespeare’s Globe)

3.30pm – 3.45pm: 
Coffee Break 

3.45pm – 5.00pm: 
Composer Q&A 
Todd Barton (Composer and Sound Designer)

7.30pm – 9.30pm:
Early Modern Music Concert

The remainder of the conference schedule


Medieval English Theatre Volume 32

Medieval English Theatre Volume 32 (2010) will shortly be published. The volume contains articles on:
  • Royal Entries
  • Shepherds' Plays in England, France and Spain
  • Academic drama and medieval arts of letter-writing
  • Redford's Wit and Science
  • Drama in Chester and Coventry 
For any questions about subscription contact Olga Horner at o.horner@lancaster.ac.uk.

From 2012 Medieval English Theatre is reconstituting as a Society. The Medieval English Theatre Society aims to promote interest in and study of early theatre both within and beyond the academic community. It will support publication of the journal as well as the long-standing annual day conference and other activities. Members of the Society will receive the annual volume of the journal as one of the benefits of membership.

Subscription to the Society will open in the new year, from the Medieval English Theatre website: http://medievalenglishtheatre.co.uk/index.html

Any one with an interest in early theatre is most welcome to order this volume of the journal, and in due course to become a member of the new Society.