Showing posts with label Theatre Studies. Show all posts
Showing posts with label Theatre Studies. Show all posts

PhD Studentship Bursary in Renaissance Studies on London theatrical culture and its context, 1565-95

In the most recent Research Excellence Framework (REF2014), English and Creative Writing were ranked 15th in their panel for the strength of the research outputs produced during the assessment period. The department, and the university, continue on an ambitious trajectory, providing a fully funded PhD studentship to work alongside the Before Shakespeare project, engaging in PhD study full time and integrating into the life of Roehampton’s School of English and Creative Writing working with academic colleagues. This fully funded PhD studentship also provides you with the opportunity to work with our project partners, Dolphin’s Back, Shakespeare’s Globe and the Museum of London Archaeology, to develop important networks and develop the impact of your own research. Details of the Before Shakespeare project can be found at beforeshakespeare.com.

The Bursary: Funding is available for UK/EU and International* students at Home/EU rates for three years full-time study. This fully funded scholarship will cover home/EU fees of £4,121 for Home/EU students and maintenance of £16,296 p.a. in 2016/17 for 3 years full-time subject to satisfactory progress.
*(see end note)

Accommodation: will be available at Spring Mews. If you take up this accommodation, the cost of the rent will be deducted from the stipend. The rent rate for 2016-17 is £175 per week.
Your research study will be supervised by Dr Andy Kesson and Prof Clare McManus. Applications are invited from bold, innovative postgraduates with a record of achievement to undertake a project on a subject of their choice within the field of dramatic, literary or theatre history between the years 1565 and 1595. Subjects might include, but are not limited to:

  • Anti-theatrical pamphlets as a literary form 
  • Theatre companies (Queen’s Men, Paul’s Boys, Strange’s Men) 
  • Playhouses (Red Lion, Newington Butts, the Curtain) 
  • Overlooked authorial canons (George Peele, Robert Greene, Robert Wilson) 
  • Relationships between theatrical and non-theatrical culture (for example, poetry, music, prose, fiction or pamphleteering) 
  • Theatre company touring practices during the period of the early playhouses 

The successful candidate will be enrolled in the Graduate School training programme.

Candidates are strongly encouraged to contact Andy Kesson (andy.kesson@roehampton.ac.uk) for informal discussion of potential projects before applying.

Eligibility and how to apply:

In order to be eligible, applicants should hold a first class or upper second class honours undergraduate degree (or equivalent international qualification) and a Master’s degree with distinction (or equivalent) in a related subject.

The successful candidate should be available to start on 1st October 2016.

To apply, please email the following to pgresearch@roehampton.ac.uk with the subject heading ‘Before Shakespeare’:

1) A copy of your CV including copies of your academic qualifications.

2) Contact details of two academic referees.

3) A cover letter outlining your proposed project, a research plan and a potential structure for the thesis. The cover letter also needs to state the reasons you are applying for this studentship and outlining your expertise and relevant skills.

4) Completed Application Form for PhD Study (RDB1b) downloadable at http://www.roehampton.ac.uk/Courses/Graduate-School/Degrees/

The closing date for completed applications is: 25 July 2016.

Formal interviews will be held: 15 August 2016.

*Recipients of these studentships will be covered for Home/EU fees, and recipients due to pay overseas fees will be required to pay the difference between Home/EU and overseas tuition fee rates.

Meta-Play: Early Modern Drama and Metatheatre


Meta-Play: Early Modern Drama and Metatheatre

University of Kent
13-14 June 2015

Saturday 13 June
10.30-11.00: Registration

11.00-12.00: Keynote Lecture Professor Robert Shaughnessy (University of Kent)

12.00-1.30: Panel 1
  • Contemporary Practice at Shakespeare’s Globe and the Sam Wanamaker Playhouse
  • 'Then draw the model': theatre architecture as metatheatre in Elizabethan/Jacobean performance spaces- Ildiko Solti (Independent Scholar)
  • Across the Ages: Child Players and Reconstruction of Original Practice – Mark Hamilton (Regent’s University London)
  • Meta-play and the Sam Wanamaker Playhouse – Will Tosh (Shakespeare’s Globe)

2.30-4.30: Panel 2

Embodying Metatheatre: Now and Then
  • Gesture and social cognition in Shakespeare’s theatre - Darren Tunstall (Guildford School of Acting, University of Surrey)
  • Matter-Theatre: Cymbeline’s Rhetoric and Conspicuous Construction – Callan Davies (Exeter)
  • Levels of communication in a Norwegian A Midsummer Night’s Dream - Lars Harald Maagerø (King’s)
  • Touching the other in Cheek by Jowl’s Measure for Measure – Pascale Aebischer (Exeter)
4.45-6.15: Performance Workshop

Directed by Emma Whipday (Oxford), including Roundtable Discussion


Sunday 14 June
9.45-11.15: Panel 3

Theorizing Metatheatre:
  • Metatheatre Via Comedy and Tragedy: Comedy and Tragedy Via Metatheatre - John Kerr (Minnesota)
  • Are Shakespeare’s plays always metatheatrical? – Steve Purcell (Warwick)
  • All ‘Metatheatre’ is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night’s Dream, and the Navigation of the Spectrum of Dramatic Representation - Nathaniel C. Leonard (Westminster College, Missouri)

11.30-1.00: Panel 4

Social Life, Social Spaces
  • This is the night that I must play my part’: Metatheatricality as a Trope for The Socially Corrective Power of Theatre in Thomas Heywood’s A Woman Killed with Kindness (1603) - Iman Sheeha (Warwick)
  • Playing with(in) London spaces: new meanings of metatheatre behind the dramatic success of the Restoration libertine – Gabriella Infante (King’s)
  • Pleasing Fantasies: Metatheatre as Political Fiction in Othello – Ben Morgan (Oxford)

2.00-3.30: Panel 5

Engaging Audiences
  • ‘A stranger Pyramus than e’er played here’: some uses of metatheatre in A Midsummer Night’s Dream - Trevor R Griffiths (Exeter)
  • ‘A frightful pleasure’: metadrama, malcontents, attraction and repulsion in The Changeling’ – Jan Doorly (King’s)
  • “So Much For My Happy Ending”: Avoiding The Happy Ending in Twelfth Night - Mary Way (Kent)

3.45-4.45: Performing Gender Practitioner Panel

Will Tosh (Shakespeare’s Globe)
Kirsty Bushell (RSC)
Jimmy Tucker (Propeller)

4.45-5.45: Keynote Speaker: Dr Bridget Escolme (Queen Mary, University of London)

Register at

http://store.kent.ac.uk/browse/extra_info.asp?compid=1&modid=1&deptid=26&catid=98&prodvarid=100

For questions please email s.dustagheer-463@kent.ac.uk and h.r.newman@kent.ac.uk