Showing posts with label Manuscript Culture. Show all posts
Showing posts with label Manuscript Culture. Show all posts

CALL FOR PAPERS: Administrative accountability in the later Middle Ages: Records, procedures, and their societal impact

Bucharest, 16-17 November 2018

The emergence of new types of financial records, the creation of institutional procedures, and the birth of a bureaucratic corps in a society in which accountability had been largely social and moral represent key developments in the history of the later Middle Ages. The colloquium will explore the multifaceted reality of administrative accountability in Western Europe, c. 1200-1450. Because the renewed interest in the subject makes methodological exchanges all the more timely, the colloquium will provide a venue for testing new approaches to the sources. Special attention will be given to underexplored archival documents, such as the castellany accounts (computi) of late-medieval Savoy, and to topics that have hitherto received less attention, such as the social impact of institutional consolidation. Comparisons with better-known texts, such as the English pipe rolls, are also encouraged.

The colloquium is organised in the frame of the European Research Council Starting Grant no. 638436, ‘Record-keeping, fiscal reform, and the rise of institutional accountability in late-medieval Savoy: a source-oriented approach’ (University of Bucharest)

Proposals for 30-minute papers are invited on topics including:
  • the institutional dialogue between the central and local administration
  • the impact of administrative and fiscal reform on local communities
  • accounting practices and the auditing of financial records
  • the cultural underpinnings of medieval accountability
  • prosopography: background and career of administrators, from auditing clerks to castellans
  • methodological advances, from manuscript studies to sociological frameworks
  • the transfer of administrative models across medieval Europe

The colloquium papers, which will collected in an edited volume published with an international academic press, should reflect original, unpublished research. The authors will be given the opportunity to revise their contributions for publication.

Papers can be presented in English or French; if delivered in French, it is the author’s responsibility to have the paper translated into English for publication.

For inquiries, contact Ionut Epurescu-Pascovici or Roberto Biolzi

Proposals of circa 300 words, outlining the source material, methodology, and anticipated findings, should be emailed to Ionut Epurescu-Pascovici by 30 March 2018.

The organisers will provide three nights hotel accommodation and help defray travel expenses.

https://irhunibuc.wordpress.com/medieval-accountability/

Project Description:

This project focuses on an unjustly neglected corpus of sources, the fiscal accounts (computi) of the castellanies, or basic administrative units, of late-medieval Savoy. It deploys a holistic model of analysis that can fully capitalize on the unusually detailed computi in order to illuminate some of the key developments in late-medieval history, from administrative and fiscal reforms and the progress of institutional accountability to the socioeconomic decline and recovery from the late-thirteenth to the late-fourteenth century. More broadly, research into these topics aims to contribute to our understanding of the late-medieval origins of European modernity.

The advances of pragmatic literacy, record-keeping, and auditing practices are analysed with the aid of social scientific theories of practice. By comparing the Savoyard computi with their sources of inspiration, notably the Anglo-Norman pipe rolls, the project aims to highlight the creative adaptation of imported administrative models, thereby contributing to our knowledge of institutional transfers in European history. The project proposes an inclusive frame of analysis in which the computi are read against the evidence from enfeoffment charters, castellany surveys (extente), and the records of direct taxation (subsidia).

The project focuses on a sample of castellanies from the heartland of the Savoyard principality, analysed by the Principal Investigator. Two postdoctoral researchers will study the records of a few other castellanies from outside the bailiwick of Savoy as test cases for the Principal Investigator’s analysis.


CALL FOR PAPERS: Early Medieval Graphicacy in a Comparative Perspective

International Conference: Early Medieval Graphicacy in a Comparative Perspective
University of Oslo, Blindern, Oslo
9–10 June, 2016

Conference Website

Organizers: Prof. Ildar Garipzanov and Dr Romy Wyche

This conference is the last of a series for the Graphicacy and Authority in Early Medieval Europe Project. The aim of the project has been to gather scholars from a wide range of disciplines to discuss the increasing role of non-figural graphic devices across a wide range of media, from manuscripts to architecture and mass-produced objects.

Visual communication in Late Antiquity and the early Middle Ages is conventionally analysed using methods specific to either figural imagery (and visualcy of the past) or literary productions (and literacy). In contrast, our project focuses on non-figural graphic devices which are intermediaries between texts and pictures, and which appear during Late Antiquity and the early Middle Ages. The project operates with a working hypothesis that these graphic compositions attest to early graphicacy, which has been defined as a visual mode of communication of conceptual information and abstract ideas by means of non-figural graphic devices, which may comprise inscribed letters, words, or decorative symbols. For a recent discussion of early graphicacy, click here and for more information about the project, please visit our website.

Our previous conferences have examined functions and contextual usage of graphic devices such as monograms, christograms, the staurogram, the sign of the cross and symbolic ornaments on a wide array of material as well as the monogrammatic and decorated initials, graphic symbols, and ornamental designs that appear in early medieval manuscripts. In this closing conference, we would like to include early non-figural graphic devices that are more familiar to specialists in modern graphicacy, namely maps and diagrams.

The objective of this conference is to gather scholars from a wide range of disciplines including but not limited to art history, archaeology and cultural history of Late Antiquity and the Middle Ages in the Latin West and Greek East for comparative discussions of early non-figural graphic devices in different media, regions, or chronological periods. We are especially interested in papers dealing with different forms of early graphicacy in a comparative perspective as well as common cognitive mechanisms that enable their deployment in visual communication.

Please submit your proposal (about 300 words) and a short academic CV (no more than a page) at the following link by 1 October, 2015. Places are limited to allow us to subsidise some costs, including registration fee and refreshments. If you have any question please contact Dr Romy Wyche at r.m.wyche@iakh.uio.no.

History of the Book Seminar: Paper, Pen and Ink: Manuscript Cultures in Early Modern England

Carlo Bajetta will be talking about the editing of early modern manuscripts at the next seminar in this year's Open University Book History Research Group series. The seminar will take place on Monday 17 March at Senate House in London, at 5.30pm. There is no need to book in advance, and everyone is welcome. More details below.

The topic for the series as a whole, which is organised in association with the Institute of English Studies, is Paper, Pen and Ink: Manuscript Cultures in Early Modern England. The complete programme can be downloaded at http://www.open.ac.uk/arts/research/book-history/sites/www.open.ac.uk.arts.research.book-history/files/files/ecms/arts-bh-pr/web-content/paper-pen-ink.pdf

For further information, please contact the series organiser, Jonathan Gibson

Monday 17 March 2014: University of London, Senate House, Room 234 (2nd floor), 5.30-7.00pm

Carlo Bajetta (Università della Valle d’Aosta)
‘Making Sense of Chaos: Analysing Early Modern Manuscripts’

This talk will reconsider analytical and editorial methodology in early modern manuscript studies. After a look at the age-old, but still crucial, problem of how best to deal with the patent mistakes many early modern manuscript texts present (or seem to present), it will suggest a variety of ways in which a modern researcher can get the best out of the analysis of handwritten texts. By means of an examination of specific cases, including some of Elizabeth I’s Italian letters, I will illustrate the advantages of a case-to-case, evidence-based, approach to both editorial emendation and to the analysis of the material features of manuscript volumes.

Professor Carlo M. Bajetta is Professor of English at Università della Valle d’Aosta, Italy. His books include Sir Walter Ralegh (1998), Whole Volumes in Folio (2000), Some Notes on Printing and Publishing in Renaissance Venice (2000), and, with Luisa Camaiora, Shakespearean Readings: Shakespeare, Keats, Shelley (2004). He has edited R.B. McKerrow’s 1928 Sandars Lectures on authors’ manuscripts (Studies in Bibliography, 2000), Wordsworth’s, Shelley’s and Reynold’s 1819 Peter Bell poems (2005) and, in a bilingual edition, Thomas More’s English Poems. He has also published research on the fiction, literary criticism and letters of C.S. Lewis and is currently engaged on an edition of the Italian letters of Elizabeth I.