The Arc Centre of Excellence in the History of Emotions
27 – 30 NOVEMBER, 2012
at the University of Western Australia
THEME: “SHAKESPEARE AND EMOTIONS”
The study of emotions in history and literature is a burgeoning field in Early Modern Studies and other areas, and Shakespeare takes a very central and influential place. We invite papers on any aspect of the ways in which Shakespeare and his contemporaries represented emotions in poetry, drama and other works, and how these have been received by audiences and readers from the sixteenth century to today. There are paradoxes to be explored – how ‘the bodily turn’ of physiological influence on emotions could in turn generate more modern models of inner consciousness alone; how concepts rooted historically in Elizabethan and Jacobean England could be adapted to fit the philosophies and concepts of later ages, through eighteenth century literature of sensibility, nineteenth century and Darwinian approaches, twentieth century psychologism stimulated by Freud, and a host of others. Did Shakespeare tap into a ‘collective unconscious’ of ‘universal’ stories, or did he arbitrarily choose stories to dramatise which his affective eloquence incorporated into world literature? Why have his works proved so durable in their emotional power, both in themselves and adaptations into other media such as opera, music, film and dance? Equal attention is invited to plays in performance and in ‘closet’ critical readings, as well as textual studies and adaptations.
The new Fortune stage will be available for original practice performances, open rehearsals, stage-based research papers, etc.
ABSTRACTS of 200 words can be submitted for consideration at:
http://conference.anzsa.org/ Please bear in mind that although our venues have full capability for powerpoint and projecting files from your computers, wi-fi reception is in some rooms unavailable, so if you will need full internet reception for your presentation please make this clear in your abstract and we will try to programme accordingly.