Showing posts with label Collecting. Show all posts
Showing posts with label Collecting. Show all posts

CALL FOR PAPERS: ‘Aesthetics and Poetics in the History of Political Thought’

Image: Ambrogio Lorenzette, Allegory of Good Government (detail), c. 1338-9

Aesthetics and Poetics in the History of Political Thought
11th Annual Graduate Conference in Political Thought and Intellectual History
University of Cambridge, June 13, 2018
Keynote Address: Professor Martin Jay (Berkeley)

In recent years, appreciation for the relationships between politics and aesthetics has grown. Often associated with the writings of Jacques Rancière, partisans of the so-called ‘aesthetic turn in political thought’ have increasingly stressed the figurative and linguistic dimensions of political theory. Though these interrelationships have been a central concern of thinkers from Plato to the contemporary writings of Slavoj Žiž­­ek, much of this more recent literature recognises only a limited chronology. For intellectual historians, however, the now-classic methodological interventions of the ‘Cambridge School’ (Quentin Skinner, J.G.A Pocock and John Dunn) emphasised precisely these considerations for thinkers of a variety of historical periods. By highlighting the pivotal connections between the intentions of thinkers and the words and languages through which they were expressed, their writings confirmed Rancière’s own insistence that ‘There never has been any “aestheticization” of politics in the modern age because politics is aesthetic in principle.’

The uneasy distinctions between poetics, aesthetics and politics raise many important issues for historians of political thought. Can we sharply distinguish political and aesthetic concerns throughout history? Are political theories always determined by the languages and conventions in which they are uttered? What relationship does material culture have to the history of political thought? Aiming to explore these and related questions, the organisers of the 11th Annual Cambridge Graduate Conference in Political Thought and Intellectual History, scheduled for Wednesday, June 13, 2018, invite submissions for presentations on the theme ‘Aesthetics and Poetics in the History of Political Thought.’

Given the extensive range of the theme in question, proposals from a variety of sub-disciplines and across geographic and historical divisions are welcome. Topics can include, but are not limited to:
  • the politics of language
  • theories and nature of representation
  • histories of metaphor
  • gender, aesthetics and the political
  • the politics of art and architecture
  • conceptions of imagination and judgment
  • rhetorical strategies in the history of political thought
  • political thought and literature
  • material culture and political thought
  • the politics of cultural practice and exchange
  • national aesthetics
  • collecting and collections
  • authorial self-representation
  • histories of the book
  • illustrations, figures and the aesthetics of textuality

The conference will feature a keynote address by Professor Martin E. Jay, who is the Ehrman Professor of European History at the University of California, Berkeley. Participants will be invited to present their work in themed panels, which will be followed by question and answer sessions. Cambridge has a longstanding reputation for the study of political thought and intellectual history, and conference participants can expect to receive collegial feedback from members of the History Faculty.

Interested graduate students are asked to send an abstract (max. 500 words) for a 20-minute presentation and a short CV (max. 2 pages) to ptihconf@hermes.cam.ac.uk.

The deadline for proposals is March 1, 2018.


CALL FOR PAPERS: Cultures of Collecting, 1500-1750

Cultures of Collecting, 1500-1750: a one-day conference organised by the Centre for Early Modern Studies, Oxford University

Wednesday 14 June 2017, Corpus Christi College, Oxford


On the 400th anniversary of the birth of Elias Ashmole, we invite proposals that address any aspect of the cultures of collecting in England and Europe, ca. 1500-1750, from any disciplinary perspective, including material culture, art history, visual studies, museum studies, social history, and literary scholarship. 

Papers might focus on major early modern collectors (Hans Sloane, Elias Ashmole, John Tradescant Jr and Sr), but also lesser-known figures. 
  • What were the motives and mechanics of collecting? 
  • How did early moderns understand curiosity and preservation; wonder and taxonomy; variety and system?
  • What was the relationship between utility and display? 
  • How did Wunderkammern shape and transmit new categories of knowledge? 
  • What were the links between cabinets of curiosities and book collections and libraries? 
  • How did the practices of collecting shape broader cultural trends? 
  • How do literary texts respond to collecting? 
  • Is there a connection between collecting objects and the circulation and gathering of commonplaces; between gathering things and gatherings words (or literary invention)? 
  • What were the relationships between collecting, biography, and self-expression? 
  • How ideological were collections, and how was the politics of collecting expressed and understood? What are the methodological challenges of reconstructing collections today? 
  • How can we read catalogues and textual records of now-dispersed collections?

Please send 300-word proposals for a 20-minute paper, and a brief CV, to Dr Natasha Simonova (natasha.simonova@ell.ox.ac.uk) by 10 April 2017.