Showing posts with label Comedy. Show all posts
Showing posts with label Comedy. Show all posts

CALL FOR PAPERS: IASEMS Conference 2015 - Humour in Shakespeare's Arcadia: Gender, Genre and Wordplay in Early Modern Comedy

Florence, 23rd April 2015

The 2015 Italian Association of Shakespearean and Early Modern Studies (IASEMS) Graduate Conference at The British Institute in Florence is a one-day interdisciplinary and bilingual English-Italian forum open to PhD students and researchers who have obtained their doctorates within the past 5 years. This year’s conference will focus on the theme of comedy in early modern texts, and on how humour is produced in language and plot, what purposes it serves and how it can be related to issues of gender and genre. From Mikhail Bakhtin’s emphasis on the comic body to more recent explorations of the way erotic desire can be displaced by humour, early modern texts offer endless examples of improvisatory, situational or physical humour (whether deriving from the Elizabethan clown tradition or from the comic counterparts in medieval miracle and mystery plays) as well as sophisticated scripted humour and parody of romantic clichés. As is well known, humour, or “comic relief” can also be found in non-comic texts, such as tragedies, romances, epic poetry or pamphlets, often causing disruption of generic expectations and blurring the lines of genre distinction. Proposals can therefore address, from a wide range of disciplinary perspectives, the impact and the implications of humour or comedic infiltrations in a wide range of early modern English texts. 

Candidates are invited to send a description of their proposed contribution according to the following guidelines:
  • the candidate should provide name, institution, contact info, title and a short abstract of the proposed contribution (300 words for a 20-minute paper), explaining the content and intended structure of the paper, and including a short bibliography 
  • abstracts are to be submitted by Friday 31 October 2014 by email to ilaria.natali@unifi.it 
  • all proposals will be blind-vetted. The list of selected papers will be available by the end of November 2014 
  • each finished contribution is to last no longer than 20 minutes and is to be presented in English (an exception will 
  • be made for Italian candidates of departments other than English, who can present papers in Italian): Candidates whose first language is not English will need to have their proposals and final papers checked by a mother-tongue speaker 
  • participants will be asked to present a final draft of the paper ten days before the Conference. Selected speakers who are IASEMS members can apply for a small grant 

(http://www.maldura.unipd.it/iasems/iasems_about.html)
For further information please contact Ilaria Natali (ilaria.natali@unifi.it)

CALL FOR PAPERS: NeMLA 2015 - Unexpected Affect in Shakespearean Drama

This panel will explore the ways in which Shakespearean drama delivers emotional intensity (passions, affectations, embodiment, etc.) in unexpected places. When might certain emotional reactions be surprising in Shakespeare's plays? Are there particular characters that share their feelings unexpectedly, yet with astonishing resonance?

The significance of this session is to explore whether, after four centuries of exposure, these can still be capable of emotionally shocking. In today’s academic climate, do Shakespeare's words have the potential to be so emotionally disturbing that students might/can/should expect a “trigger warning” on syllabi?

This panel will explore unexpected representations of affect in Shakespeare's works, including:
  • affect in the comedies, including “comedies of humour”
  • affect in unnamed characters
  • affect in allusions
  • affect through wordplay (punning, homonyms, and so forth)
  • affect in prologues or epilogues
  • affect as communicated by servants or children
  • reviews of unexpectedly affective productions of Shakespeare on stage and screen
  • exploring Shakespearean emotions in the classroom and online

This year applicants will be submitting their abstracts directly to the NeMLA site, so please allow time to familiarize yourself with the new format. Please send in abstracts for 20-minute presentations by September 15, 2014. Email erin.weinberg@queensu.ca with any and all questions.

CFP: Reconsidering Popular Comedy, Ancient and Modern

Date: Wed 28 - Fri 30 August 2013.
Location: University of Glasgow
Convenors: Costas Panayotakis and Ian Ruffell

The comic theatre of Greece and Rome, like that of many other crucial periods
of comic history (e.g. Elizabethan and Jacobean drama; music hall; vaudeville)
is often described as popular comedy. This conference aims to investigate the
extent, limits and utility of considering comic drama to be "popular". We are
particularly interested in the modes of performance and reception of comedy.
How far does performance in front of a mass audience shape the form and
language of comedy? How genuinely "popular" are different comic traditions? To
what extent and in what ways do "elite" and "popular" interact in the original
and subsequent contexts of reception? Is "popular comedy" a useful term or is
it subsuming other more challenging concepts (such as, for example, class)?
And to what extent can parallel themes in the production and reception of
popular comedy be seen across cultures? The conference begins with the comic
traditions of Greece and Rome, but is intended to broaden out the question to
consider popular comedy in other periods and modes.

Confirmed speakers:
Martin Revermann (Toronto), James Robson (Open), Ralph Rosen (Penn), Alan
Sommerstein (Nottingham), Gonda van Steen (Florida) and Peter Wiseman
(Exeter).

The conference is supported by a grant from the Institute for Classical
Studies.

We would like to invite proposals for papers of around 30 minutes in length
on any aspect of the above. Titles and abstracts of no more than 250 words
should be sent to Ian Ruffell (ian.ruffell@glasgow.ac.uk) by January 31, 2013.

We look forward to hearing from you. If you have any questions, please don't
hesitate to contact either of us.


Costas Panayotakis
(costas.panayotakis@glasgow.ac.uk)

Ian Ruffell
(ian.ruffell@glasgow.ac.uk)