CALL FOR PAPERS: Truth and Truthiness: Belief, Authenticity, Rhetoric, and Spin in the Middle Ages & Renaissance

Truth and Truthiness: Belief, Authenticity, Rhetoric, and Spin in the Middle Ages and Renaissance

December 1, 2018
The 26th Biennial Conference of the Medieval and Renaissance Studies Program of Barnard College

Plenary Speakers: Lorna Hutson (University of Oxford), Dyan Elliott (Northwestern University)

The capacity of language both to communicate truth and to manipulate perceptions of it was as vexed a problem for the Middle Ages and Renaissance as it is today. From Augustine to Erasmus, enthusiasm for the study of rhetoric was accompanied by profound concern about its capacity to mask the difference between authenticity and deceit, revelation and heresy, truth and truthiness. Even the claim of authenticity or transparency could become, some thinkers argued, a deliberate form of manipulation or “spin.”

In our current era when public figures aim to create effects of immediacy and authenticity, this conference looks at the history of debates about rhetoric and, more generally, about the presentation of transparency and truthfulness. Taking an interdisciplinary approach, this conference considers the role of the verbal arts in the history of literature, law, politics, theology, and historiography, but also broadens the scope of rhetoric to include such topics as the rhetoric of the visual arts and the language of the new science to produce effects of objective access to “things themselves.”

Please submit an abstract of 250–300 words and a 2-page CV by April 30, 2018 to Rachel Eisendrath

CALL FOR PAPERS: Administrative accountability in the later Middle Ages: Records, procedures, and their societal impact

Bucharest, 16-17 November 2018

The emergence of new types of financial records, the creation of institutional procedures, and the birth of a bureaucratic corps in a society in which accountability had been largely social and moral represent key developments in the history of the later Middle Ages. The colloquium will explore the multifaceted reality of administrative accountability in Western Europe, c. 1200-1450. Because the renewed interest in the subject makes methodological exchanges all the more timely, the colloquium will provide a venue for testing new approaches to the sources. Special attention will be given to underexplored archival documents, such as the castellany accounts (computi) of late-medieval Savoy, and to topics that have hitherto received less attention, such as the social impact of institutional consolidation. Comparisons with better-known texts, such as the English pipe rolls, are also encouraged.

The colloquium is organised in the frame of the European Research Council Starting Grant no. 638436, ‘Record-keeping, fiscal reform, and the rise of institutional accountability in late-medieval Savoy: a source-oriented approach’ (University of Bucharest)

Proposals for 30-minute papers are invited on topics including:
  • the institutional dialogue between the central and local administration
  • the impact of administrative and fiscal reform on local communities
  • accounting practices and the auditing of financial records
  • the cultural underpinnings of medieval accountability
  • prosopography: background and career of administrators, from auditing clerks to castellans
  • methodological advances, from manuscript studies to sociological frameworks
  • the transfer of administrative models across medieval Europe

The colloquium papers, which will collected in an edited volume published with an international academic press, should reflect original, unpublished research. The authors will be given the opportunity to revise their contributions for publication.

Papers can be presented in English or French; if delivered in French, it is the author’s responsibility to have the paper translated into English for publication.

For inquiries, contact Ionut Epurescu-Pascovici or Roberto Biolzi

Proposals of circa 300 words, outlining the source material, methodology, and anticipated findings, should be emailed to Ionut Epurescu-Pascovici by 30 March 2018.

The organisers will provide three nights hotel accommodation and help defray travel expenses.

https://irhunibuc.wordpress.com/medieval-accountability/

Project Description:

This project focuses on an unjustly neglected corpus of sources, the fiscal accounts (computi) of the castellanies, or basic administrative units, of late-medieval Savoy. It deploys a holistic model of analysis that can fully capitalize on the unusually detailed computi in order to illuminate some of the key developments in late-medieval history, from administrative and fiscal reforms and the progress of institutional accountability to the socioeconomic decline and recovery from the late-thirteenth to the late-fourteenth century. More broadly, research into these topics aims to contribute to our understanding of the late-medieval origins of European modernity.

The advances of pragmatic literacy, record-keeping, and auditing practices are analysed with the aid of social scientific theories of practice. By comparing the Savoyard computi with their sources of inspiration, notably the Anglo-Norman pipe rolls, the project aims to highlight the creative adaptation of imported administrative models, thereby contributing to our knowledge of institutional transfers in European history. The project proposes an inclusive frame of analysis in which the computi are read against the evidence from enfeoffment charters, castellany surveys (extente), and the records of direct taxation (subsidia).

The project focuses on a sample of castellanies from the heartland of the Savoyard principality, analysed by the Principal Investigator. Two postdoctoral researchers will study the records of a few other castellanies from outside the bailiwick of Savoy as test cases for the Principal Investigator’s analysis.


CALL FOR PAPERS: North American Conference on British Studies - Annual Meeting

Providence, Rhode Island, October 25-28, 2018
Deadline: 30 March 2018

The NACBS and its affiliate, the Northeast Conference on British Studies, seek participation by scholars in all areas of British Studies for the 2018 meeting. We will meet in Providence, Rhode Island, from October 25-28, 2018. We solicit proposals for presentations on Britain, the British Empire, and the British world, including topics relating to component parts of Britain and on British influence (or vice versa) in Ireland, the Commonwealth, and former colonies in Asia, Africa, and the Caribbean (etc.) Our interests range from the medieval to the modern. We welcome participation by scholars from across the humanities and social sciences, from all parts of the globe (not just North America), and from all career stages and backgrounds. We reaffirm our commitment to British Studies broadly conceived, and welcome proposals that reflect the diversity of scholars and scholarship in the field.

We invite panel proposals that address selected themes, methodology, and pedagogy, as well as roundtable discussions of topical and thematic interest, including conversations among authors of recent books, reflections on landmark scholarship, and discussions about professional practice. We are particularly interested in submissions that have a broad chronological focus and/or interdisciplinary breadth. Standard panels typically include three presenters speaking for 20 minutes each, a commentator, and a chair, while roundtables typically include four presenters speaking for 15 minutes each and a chair. We are open to other formats, though; please feel free to consult with the program committee chair.

We hope to secure as broad a range of participation as possible and will thus consider individual paper proposals in addition to the standard full panel proposals. Our preference is for panels that include both emerging and established scholars; we welcome the participation of junior scholars and Ph.D. candidates beyond the qualifying stage. To foster intellectual interchange, we ask applicants to compose panels that feature participation from multiple institutions. In an effort to allow a broader range of participants, no participant will be permitted to take part in more than one session in a substantial role. (That is, someone presenting or commenting on one panel cannot also present or comment on another, though individuals presenting or commenting on one panel may serve as chairs for other panels, if need be.) Submissions are welcome from participants in last year’s conference, though if the number of strong submissions exceeds the number of available spaces, selection decisions may take into account recent participation.

As complete panels are more likely to be accepted, we recommend that interested participants issue calls on H-Albion or social media (e.g., @TheNACBS on Twitter or on the NACBS Facebook page) to arrange a panel. If a full panel cannot be arranged by the deadline, however, please do submit the individual proposal and the program committee will try to build submissions into full panels as appropriate.

In addition to the panels, we will be sponsoring a poster session. The posters will be exhibited throughout the conference, and there will be a scheduled time when presenters will be with their posters to allow for further discussion.

The submission website is now open – submissions will close as of March 30 2018.

All submissions are electronic, and need to be completed in one sitting. Before you start your submission, you should have the following information:
  • Names, affiliations and email addresses for all panel participants. PLEASE NOTE: We create the program from the submission, so be sure that names, institutional titles, and paper titles are provided as they should appear on the program. 
  • A note whether data projection is necessary, desired, or unnecessary.
  • A brief summary CV for each participant, indicating education, current affiliations, and major publications. (750 words maximum per CV.)
  • Title and Abstract for each paper or presentation. Roundtables do not need titles for each presentation, but if you have them, that is fine. If there is no title, there should still be an abstract – i.e. “X will speak about this subject through the lens of this period/approach/region etc.”
  • POSTERS: Those proposing posters should enter organizer information and first presenter information only.
  • All communication will be through the panel organizer, who will be responsible for ensuring that members of the panel receive the information they need.

All program presenters must be current members of the NACBS by September 28, one month before the conference, or risk being removed from the program.

Some financial assistance will become available for graduate students (up to $500) and for a limited number of under/unemployed members within ten years of their terminal degree ($300). Details of these travel grants and how to apply will be posted to www.nacbs.org and emailed to members after the program for the 2018 meeting is prepared.

CALL FOR PAPERS: Re-reading Hebrew Scripture: Old Testament Cycles in Medieval Wall Painting

University of Milan - Università degli Studi di Milano, October 16 - 18, 2018

CFP Deadline: Feb 15, 2018

Rereading Hebrew Scripture: Old Testament Cycles in Medieval Wall Painting

The Chair of History of Medieval Art, Department of Cultural Heritage and Environment - University of Milan, organises an International Conference concerning the Old Testament narrative in medieval wall painting. Four thematic sessions are scheduled, calling for 20 minutes papers to be presented in Italian/English/French.

1st Session: Early Christian Pictorial Tradition and Early Middle AgesThe aim is to bring into focus the relationship between the monumental pictorial tradition set up in the early Christian Rome and its reworking in the early Middle Ages. To what extent did the paradigm of Santa Maria Maggiore, Old St. Peter’s and San Paolo fuori le Mura expressed its leading role in Old Testament sequences like those in Santa Maria Antiqua and Santa Maria in via Lata in Rome, in the Crypt of the Original Sin in Matera, or in St. John in Müstair? On the other hand, what was the impact of different models (also Byzantine), of patronage and liturgical space in setting the iconographic programme?

2nd Session: The Thematic and Narrative Development in the Romanesque PeriodThe widespread revival of early Christian iconography in the Romanesque period is reflected by the Old Testament narrative, which regains room in church decorations, especially dealing with the first part of the Genesis: mainly in the Roman area (Santa Maria in Ceri, San Tommaso in Anagni, San Paolo inter vineas in Spoleto, Castro dei Volsci, Ferentillo, San Giovanni a Porta Latina), but also in the South (Sant’Angelo in Formis, Santa Maria d’Anglona), in the northern Italy (Galliano, Agliate, Carugo, Muralto, Acquanegra), north of the Alps (Saint-Savin and Château-Gontier in France; Idensen, Brauweiler and Berghausen in Germany; Gurk and Matrei in Austria), and in the Iberian Peninsula (Bagüés, Sigena). The session will offer the opportunity to compare subjects, themes and solutions on a European scale, highlighting continuity, recurrences, peculiarities, deviations and anomalies.

3rd Session: Old Testament Cycles and Multi-layered MeaningUniversal chronicles remind us that an Old Testament cycle was primarily a historical and chronological depiction of the humankind on the path to salvation: the ‘visual device’ in the nave of Acquanegra is a clear example. Still, the events before the Incarnation shall be understood in a figurative sense, what is depicted in Agliate lining up the Creation of Adam and Eve precisely above the Annunciation and the Nativity. This does not preclude a manipulation driven by political claims, as seems to be expressed in the cycle of Joseph in San Marco in Venice. Therefore, a full account of the visual relationships within the liturgical space is required.

4th Session: The Role of Patriarchs, Judges, Prophets and KingsSince at least the mid 5th century, with the mosaic panels in the nave of Santa Maria Maggiore in Rome, the Hebrew Scripture has also been illustrated through the stories of its protagonists: Patriarchs (Moses and Joshua in San Calocero in Civate), Judges (Samson in Galliano and Civate, Gideon in Civate and Sant’Angelo in Formis), Prophets (Ezekiel and Daniel in Santa Maria in Cosmedin in Rome), Kings (David in Müstair and Malles), involving a wide range of meanings, relationships and implications, which are still waiting to be figured out.

SubmissionsProposals should cover a wide range of aspects concerning each session, giving priority to the iconographic approach, to the relationships with the liturgical space and to the historical-institutional frame. Topics dealing with the monumental contexts mentioned above are especially welcome.
Proposals will be evaluated by the conference scientifc committee.
Submissions for a 20 minutes paper (in Italian/English/French) should include: paper title, abstract of around 300 words, a short CV including current affliation and full contact details. All documents should be merged into a single PDF file.

Proposals and enquiries should be sent to: Old Testament 2018

ScheduleDeadline for submissions: 15 February 2018.
Notification to the applicants: by 31 March 2018.
Final programme: by September 2018.
It is expected to publish in a double-blind Peer review Series.
Speakers will be asked to provide a final paper by 30 June 2019.

Practical InformationThere is no registration fee for participation or attendance.
Coffee breaks, lunches, and dinners will be provided to all speakers. Travel and accommodation expenses cannot be covered, but every effort will be made to secure special hotel rates.

Conference DirectorFabio Scirea, PhD, Lecturer in History of Medieval Art
Conference Scientifc Committee
Mauro della Valle, Stella Ferrari, Paolo Piva, Fabio Scirea, Andrea Torno Ginnasi, History of Medieval Art, University of Milan

CALL FOR PAPERS: XXXVII Scientific Instrument Symposium

3 - 7 September 2018
Leiden and Haarlem, The Netherlands


The XXXVII Symposium of the Scientific Instrument Commission will take place from the 3rd to the 7th of September 2018 in Leiden and Haarlem, the Netherlands. The general topic of the conference is Instruments and the ‘Empire of Man over Things’. In The New Organon (1620), Francis Bacon famously wrote that “the empire of man over things depends wholly on the arts and sciences. For we cannot command nature except by obeying her” [Works 8 (1863), 162-63]. How have instruments of the “arts and sciences” been deployed in efforts to “command nature” for social, economic, political or personal purposes? How have instruments entered public works projects (waterways, transport, energy, pollution control), economic projects (mining, agriculture, factories), or political projects (military, public health, exploration, cadastral surveying)? Are different instruments required when the goal is not only knowing but also controlling?

We welcome proposals for 20-minute papers that fit in any of the following three subtopics.

1. Water works and technics is inspired by the fact that the SIC conference is taking place in the Netherlands and thus water works are very appropriate. Proposals in this session could range from locks, building of dykes, to all kind of measuring instruments used for water works or technics. Also social aspects may be the subject of a paper, as for large projects a lot of coordination, politics, economics is needed.

2. Electricity nods to the fact that Teylers Museum is famous for its huge electricity machine and Rijksmuseum Boerhaave has also large collection of electrical instruments. Proposals in this session could range from static electricity toys, human electricity to powerplants. Also economic aspects may be the subject of a paper, such as the electrification of the homes, cars and electrical energy.

3. Citizens instrumental science proceeds from the idea that in the eighteenth century Dutch societies of interested upper middle class citizens flourished. Teylers is only one of them. In other countries people also gathered to see demonstrations by Desaguliers and others. What kind of organisations were they and what instruments were used and what for? Who joined these gatherings and what came of it? What was their relationship with the universities? Proposals in this session will address to these questions and other aspects of scientific societies.

Furthermore, the SIC invites members to organize other sessions that explore the general theme. Of course we also welcome proposals for sessions, papers or posters on any topic dealing with the material culture of science.

For the first time the SIC will include pitch sessions at the Dutch symposium. Speakers have to put forward their point of view of a subject in a short time. After 5 pitches we turn to an in-depth debate. SIC 2018 welcomes proposals for pitches related to the following two topics.

1. End of the SIC? In the past, historians of science took material heritage for granted and did not often make it a topic of analysis. Studies on the history of science and the activities related to scientific instruments (research, preservation, promotion) have been separated from each other for a long time. One of the main goals of the SIC in its early decades was to put this material heritage on the map. Nowadays more and more examples of interactions between the two fields appear: some historians of science base their researches and/or their lectures on scientific instruments, they co-curate exhibitions with curators, etc. So has the SIC done its job well? Should we step aside now? Proposals in this session should contain pitches with short and precise arguments and should contribute to an in-depth discussion on the future of the SIC.

2. Instruments that failed, became obsolete or forgotten. Cases of instruments that were regarded as failures have occurred throughout the centuries. But there are also cases of instruments that were relevant in their own time, but turned out to be no part of the history. And there are cases of research (instruments) which led to dead ends. Why do some instruments fail or fall into oblivion? What can we learn from such instruments? Can their study enrich the history of science? Should they be displayed and how? Proposals in this session should contain pitches with short and precise arguments and should contribute to an in-depth discussion on the role of these instruments in museums and the history of science.

The final deadline for the abstracts is March 1, 2018. The Symposium will be hosted jointly by Rijksmuseum Boerhaave in Leiden and the Teyler's Museum in Haarlem with visits to nearby cities and collections. The preliminary program can be found at the conference website.

CALL FOR PAPERS: Reformation Studies Colloquium

This year’s Reformation Studies Colloquium will be held at the University of Essex, Colchester on Thursday 30 August to Saturday 1 September 2018.

The conference, which meets biannually, will bring together established as well as younger scholars studying all aspects of the Protestant and Catholic Reformations in the British Isles and Europe. We invite papers showcasing all aspects of current research into the Reformations and new trends in the fields from all disciplinary backgrounds.

The plenary speakers for the conference will be:

Prof Peter Lake (Vanderbilt University)

Prof Alison Rowlands (University of Essex)

Prof Bill Sheils (University of York)

Contributions from current research students are especially welcomed. Papers should be about 20 minutes, additional time for discussion will be allowed in each session.

To propose a paper please submit a title and a short summary (no more than 300 words) by e-mail no later than Wednesday 25 April 2018.

Contact: Dr Tom Freeman Dr Justin Colson

The conference will be held at the Colchester Campus of the University of Essex, located in the beautiful grounds of Wivenhoe Park, around 60 minutes from central London. The conference will take advantage of the many medieval and early modern features of Colchester, including an exclusive evening private tour of, and wine reception at, Colchester Castle and its recently refurbished museum.

Please join the Reformation Studies Colloquium mailing list here

CALL FOR PAPERS: ‘On Belonging: English Conceptions of Migration and Transculturality, 1550 – 1700’,


TIDE Conference, 26 - 28 July 2018
London Campus, University of Liverpool, 33 Finsbury Square EC2A 1AG

How did early modern processes of global exchange influence English identity? How did the movement of peoples, objects, and ideas across the globe shape English concepts of self and belonging, both at home and abroad?

Join the ERC-funded ‘Travel, Transculturality, and Identity in England, 1550 – 1700’ (TIDE) project to explore these questions through a three-day interdisciplinary conference in summer 2018.

Confirmed Speakers: Raingard Esser, Katy Gibbons, Imtiaz Habib, Claire Jowitt, Beverley Lemire, Gerald MacLean, Angela McShane, Sarah Knight, Barbara Ravelhofer, Edmond Smith

We invite proposals for papers that examine human mobility both into and out of England, and that cover topics from the Tudor and Stuart periods, including (but not limited to) the following:
  • Legal and political processes of defining and regulating national identity and the rights of strangers, aliens, and foreigners, as well as of natural-born English men and women
  • The various forms of forced and voluntary global movement
  • Local and global migration patterns
  • Travellers, diplomacy, and trade
  • Migrant case studies: individual go-betweens and transcultural agents
  • The effect of mobility on English taste and consumption (from music to the arts, dietary habits to vices)
  • The role of non-English objects on English social rituals and ways of life
  • Representations of English encounters with other peoples in literary forms and imaginative discourse

We welcome interventions from a variety of approaches, methodologies, and disciplines. Please send abstracts of up to 300 words and a short biographical note including institutional affiliation (250 words) to tide@liverpool.ac.uk by 15 February 2018 for contributions in any of the following formats:
  • Traditional 20-minute papers
  • Complete panels of 3 x 20 minute or 4 x 15-minute papers
  • Roundtable discussions
  • ‘Exploration sessions’ that focus on particular research questions, provocations, or relevant ‘state-of-the-field’ discussions.

Proposals for complete panels and roundtables should have contact details of all confirmed participants.

Coordinators of exploration sessions will be expected to offer a brief introduction to their questions and methods before inviting a broader discussion with other attendees. These informal and flexible sessions will encourage helpful scholarly discussion and input for researchers (doctoral and early career, as well as more established scholars), particularly those embarking on new projects.

Conference participants will be able to sign up for exploration sessions on a first-come, first-served basis at the time of registration.

Conference fee: £80
Subsidised fee for students: £40
Conference Reception: £20

We will offer a small number of conference bursaries, which include a fee waiver and £50 travel grant for student delegates presenting a paper or organising an ‘exploration session’. Please include a separate 1-page CV and a 300-word statement in addition to your abstract if you wish to be considered for these bursaries.

Tide Project


The Bodleian Libraries Centre for the Study of the Book summer school: “The Scientific Image”

25-29 July 2018.  Course convener: Roger Gaskell.   Application form (doc)


THEMES

Origination and transfer of images; relief, intaglio and lithographic printing; the role of the author, draughtsman and printmaker; formal analysis of images; text-image relationships; bibliographical description and cataloguing; the history of scientific, technical, medical, and natural history illustration.

DESCRIPTION

This course examines the production and use of printed pictures in scientific books from the incunable period (before 1501) to the end of the nineteenth century. Diagrams and pictures are not ancillary to scientific texts: they are part and parcel of the intellectual content; ‘illustration’ is a misleading if unavoidable term. To understand the role of images, this course looks at how the production of images affects how and what theories, facts or observations can be communicated, and can be part of the making of scientific knowledge. What an author sketches or an artist draws will often be enhanced and refined in collaboration with the author in the print making process. By analysing the formal qualities of the printed image we can ask: what visual strategies of description, analysis, explanation and persuasion are deployed? We will also consider the description and cataloguing of the illustrated scientific book. The course will provide an introduction to the history of scientific illustration in the physical sciences, technology, medicine and natural history.

This course is intended for those with a strong interest in the history of scientific books and printed images. Some previous training in either art history or the history of science and the basics of analytical and descriptive bibliography will enable students to get the most out of this course, but neither one is a prerequisite. No language skills are required. In their personal statements, applicants should describe the nature of their interest in the history of the technical image and explain briefly the purposes to which they propose to put the knowledge gained from the course.

SPECIAL GUEST LECTURE: Jim Bennett

‘Printed mathematical instruments of the 16th century, bound and unbound’
Jim Bennett will discuss the use of printed mathematical instruments in the 16th century, paper machines that were operational instruments on the page of the book, or intended to be separated from the book and possibly pasted on card or wood, or even cut from the book and used independently.
COURSE STRUCTURE

Taught seminars will take place in the Bodleian Library where participants will examine original drawings, original printing blocks and plates and printed books from the fifteenth to the nineteenth centuries.

Printing demonstrations, led by Richard Lawrence at the Bodleian Bibliographical Press, will provide a first-hand understanding of relief, intaglio and lithographic printing.
Visits will be made to the Sherardian Library of Plant taxonomy and the Museum of the History of Science to look at original drawings, specimens and scientific instruments.

Roger Gaskell is an antiquarian bookseller specializing in scientific medical and technical books. He has lectured on scientific book illustration at the Bodleian Summer School and teaches a regular seminar, ‘Science in print’ in the Department of History and Philosophy of Science, University of Cambridge, and a regular course at the Rare Book School in Virginia.

Jim Bennett is former Director of the Museum of the History of Science at the University of Oxford and curator of the Whipple Museum, University of Cambridge. His publications include London’s Leonardo: the life and work of Robert Hooke.

COURSE FEES

The fee of £500 covers tuition, refreshments and lunches. Note that accommodation is not included in the fees and securing accommodation is the responsibility of the student.

A limited number of reduced-price places are available for postgraduate students at UK universities. If you wish to be considered for one of these places, please indicate this on your application form.

A non-refundable deposit of £150 is required within two weeks of notification of admission.

The balance of the course fee is due by 25 May 2018. If you are unable to attend the course after paying the balance of the fee, this is refundable only in extraordinary circumstances.
HOW TO APPLY

Applications will be accepted on a rolling basis until the course is full. Your application should include a cv and a one-page letter indicating how you plan to use the knowledge gained on the course.

If you are a postgraduate student at a UK institution and wish to be considered for one of the reduced-price places, please indicate this on your application form.

Those accepted will be notified as soon as the applications have been approved.

Dr Alexandra Franklin, Project Co-ordinator Bodleian Libraries Centre for the Study of the Book Bodleian Library Broad Street Oxford OX1 3BG

E-mail: Alexandra Franklin

CALL FOR PAPERS: Decadence, Magic(k), and the Occult

Goldsmiths, University of London, 19-20 July 2018
Keynote speaker: Professor Patricia Pulham (University of Surrey)

Nineteenth-century Decadence coincided with a resurgence of esotericism, alternative religions, and a belief in magic as a rejection of secularism and science. Until now, this intersection has been most richly considered in relation to Catholicism. Most well-known is Huysmans’s tetralogy, which traces Durtal’s movement from the Black Mass to the monastery. However, Decadent literature has a much more complicated relationship with mystical, supernatural, and magical realms, one which extends beyond a simple rejection of Christian faith and has a legacy reaching beyond the long nineteenth century.

This two-day interdisciplinary conference is organized by the Decadence Research Unit at Goldsmiths. Our aim is to investigate the role of occultism and magic(k) in the Decadent literary and artistic tradition through a consideration of the relationship between Decadence and the esoteric revival of the fin de siècle, providing an opportunity to re-examine the Occult roots of Decadence and explore the wide range of artistic responses to the blurred boundaries between Decadence, mysticism, ritual, and the Dark Arts. Is the meeting of practical magic and literary esotericism indicative of a symbiotic relationship between Decadence and the Occult, or does it represent merely another aspect of the Decadent rejection of mainstream ideologies?

We welcome proposals on any aspect of Decadence from any era, in relation to magic(k) and the Occult. Papers (about 20 mins in length) might include discussion of, but are not limited to:
  • Occult/Decadent poets: Charles Baudelaire, Remy de Gourmont, Arthur Rimbaud, Jean Lorrain
  • Occult/Decadent artists: Henry de Groux, Jean Deville, Fernand Khnopff, Felicien Rops
  • Great beasts: Aleister Crowley, Joséphin Péladan, W. B. Yeats
  • Salons and sects: the Salon de la Rose+Croix, the Hermetic Order of the Golden Dawn
  • Satanic and occult feminism: Berthe de Courrière, Helena Petrovna Blavatsky, Althea Gyles
  • Big ‘Isms’: Spiritualism, Rosicrucianism, Neo-Paganism, Symbolism
  • Freemasonry, Theosophy, and New Age Spirituality
  • Aesthetic esotericism and Decadent occulture
  • Geomancy and liminal spatiality
  • Poetry and ritual magic(k)
  • Occlusion and the ocular
  • Music and mysticism
  • Rituals and rivalries
  • Incubi and succubi

Abstracts of 500 words plus brief biography should be sent to: dru@gold.ac.uk by 31st March 2018


'Greek Matters': Hellenism and material culture in the early modern world (1400-1800)

University of York on 19th July 2018, 10.00am to 5.00pm

Location: The Treehouse, Berrick Saul Building, University of York
Registration fee: £10 (includes lunch)

Programme and further details at Greek Matters

Expanding upon recent interest in the influence of Greek antiquity on early modernity, this workshop sets out to foster an interdisciplinary dialogue that explores the reception of texts alongside other encounters with the past: the circulation of images, the collecting of antiquities, archaeology, architecture, epigraphy, etc. From difficulties in printing the Greek alphabet to developments in Neoplatonism, is there a special dialogue between Hellenism and the engagement with matter and material form that emerges for the early modern period? How is ‘Greekness’ imagined and reconstructed across media? We are interested in materiality understood in its broadest sense and welcome proposals on anything from book historical approaches to those considering Hellenism in dialogue with art, architecture, the material world or the philosophy of matter.

This workshop will consider the intersection of Hellenism and material culture in the early modern world (1400-1800). The workshop will consist of a series of short papers on a variety of themes with extended time for discussion. We will explore the reception of texts alongside other encounters with the past: the circulation of images, the collecting of antiquities, archaeology, architecture, epigraphy etc. From difficulties in printing the Greek alphabet to developments in Neoplatonism, is there a special dialogue between Hellenism and the engagement with matter and material form that emerges for the early modern period? How is ‘Greekness’ imagined and reconstructed across media? (No knowledge of Ancient Greek required!)

Please register via www.eventbrite.co.uk/e/greek-matters-tickets-46795211738
Registration closes Wednesday 11 July

This event is generously sponsored by the Centre for Renaissance and Early Modern Studies.

Workshop Theatre of John Marston's 'Antonio's Revenge'


present
John Marston’s 
Antonio’s Revenge
a one-day conference
Workshop Theatre, University of Leeds – Saturday, 7 July 2018

This one-day conference will focus on Marston’s riveting revenge tragedy, an unfairly neglected jewel of late Elizabethan drama which resonates with Shakespeare’s Hamlet and other classic revenge tragedies of the period. The second part of a fascinating diptych preceded by the tragicomedy Antonio and Mellida, the play tells the story of the unfortunate lovers’ struggle in the Venetian court. Mellida’s father, the evil Piero, Duke of Venice, has murdered Antonio’s father, Andrugio, the Duke of the enemy Republic of Genoa. Andrugio’s ghost returns from beyond the grave to command his son to revenge his death. Mellida is imprisoned under a fabricated accusation of harlotry, and she dies of grief believing her lover is dead. Antonio, in disguise as a fool, prepares a masque that the Venetian court will never forget. This conference will be a very rare opportunity to see this superb play on stage, using David Lindley’s newly edited text for the Oxford Complete Works of John Marston.

Programme

9:30 am – Registration + tea, coffee, and pastries

10:30 am – script-in-hand performance with The Playhouse Lab ensemble, including students and staff at Leeds

1 pm – buffet lunch

2 pm – Panel 1: Antonio’s Revenge in Performance. Speakers: Perry Mills (Edward’s Boys, King Edward VI School), Harry McCarthy (University of Exeter), and Lois Potter (University of Delaware).

3:30 pm – Tea and coffee

3:45 pm – Panel 2: Antonio’s Revenge: Text, Context, and Afterlife. Speakers: David Lindley (University of Leeds), Janet Clare (University of Hull), and Richard Meek (University of Hull).

5:15 – wine and informal roundtable discussion

Registration: Full price: £15 Concessions: £10

The registration fee includes attendance to the performance and the academic sessions, as well as the two tea/coffee breaks, and a buffet lunch. (Please specify any dietary requirements in the box provided.)

Paris Summer School: History of mathematical sciences and digital approaches: the materiality of texts — networks — classifications

Paris from 2 to 6 July 2018, at the Institut de mathématiques de Jussieu – Paris Rive Gauche (UMR 7586 of the CNRS, UPMC, Université Paris-Diderot), on the Jussieu campus, in the heart of the Latin Quarter of Paris.

This international summer school aims at:
  • giving a comprehensive presentation of — and opening discussions on — current opportunities offered by digital technologies: access to original documents, modes of (collaborative) edition, new opportunities to handle and search corpuses;
  • evaluating the impact of digital approaches on the methodology and research practices in the history of science;
  • raising questions on their advantages and limits concerning their actual capacity to deliver new results and open new research perspectives.

In addition to classes and lectures, workshops will be organized to enable participants to test approaches and tools on their own corpus and research data.

The speakers will include specialists in the digital humanities as well as historians of mathematics who use digital tools.

Housing and lunches will be free, offered by the summer school.

Registration is free of charge but mandatory.
To participate in the summer school, please Register Here

Should you need any further information, please contact Summer School 2018.

Website: Summer School 2018

CALL FOR PAPERS: Mendicants on the Margins

Deadline: 1 February 2018
School of History, University College Cork, 27 June 18

The Conference organisers are seeking contributions to a one-day symposium which will take place on 27 June 2018 at University College Cork, on the theme of ‘Mendicants on the Margins’, organised as part of an IRC-funded project ‘Spiritual Infrastructure, Space and Society: The Augustinian Friars in Late Medieval Ireland’. The Irish Augustinian and Carmelite friars, in comparison to their Franciscan and Dominican counterparts, have been rather neglected by scholarship, finding themselves on the ‘margins’ of mendicant studies in Ireland.In mendicant studies across Europe a similar pattern of marginality is evident, placed opposite to the perceived existence of core centres. These include geographical centres of mendicancy (i.e. countries where the orders first appeared); topographical centres with the ‘typical’ model of mendicant foundations located in urban areas with non-urban foundations regarded as peripheral; or the historiographical centrality given to the Franciscan and Dominican male orders rather than other mendicant orders and female branches; and a greater historiographical emphasis on royal and aristocratic patronage versus focus on support from local communities and the friars’ impact on the wider society.

In recent years, a number of publications, research projects and conferences have tackled aspects of mendicant studies on the margins of these various core centres, but there still remains a need for a discussion on whether there is a recognisable mendicant model, on potential differences and similarities between various models, the extent of divergence or adaptation, and on the links and contrasts between geographical areas.

This one-day symposium seeks to address these issues by bringing together researchers working on aspects of mendicant orders traditionally considered as ‘marginal’, be it geographical, topographical, gendered or historical. The aim is to go beyond the artificial construct of centrality and marginality in order to get a fuller understanding of the impact of the mendicants on all levels of medieval society across Europe.

Contributions, no more than 25 minutes long, might address the following issues:
  • Mendicant orders in geographical margins;
  • Lesser-known orders of the Augustinian friars, Carmelites and female communities;
  • Mendicant communities in the margins of the traditional model of urban mendicancy, such as foundations in non-urban environments;
  • Margins of social hierarchies such as patronage and benefactors from all elements of society, the impact of the friars on local communities, especially in foundations outside of urban centres and in geographically or socially marginal communities;
  • Aspects of mendicant studies challenging the traditional historiography of mendicant orders.

Priority will be given to papers that use a comparative approach, between the margins in question and what is considered the centre or a model, and to papers adopting a multi-disciplinary approach. Proposals of no more than 300 words should be sent to Dr Anne-Julie Lafaye, IRC postdoctoral researcher, before 1 February 2018.

The symposium will coincide with the Irish Conference of Medievalists, scheduled to take place at UCC, 28-30 June 2018 (http://www.irishmedievalists.com/).

Download CFP Mendicants on the Margins (final).

CALL FOR PAPERS: Ancient and Modern Knowledges

A two-day colloquium at the University of Sheffield
Friday 22 and Saturday 23 June 2018

Categories which seek to draw distinctions between different areas of scholarly inquiry in the history of knowledge, most obviously, perhaps, the distinction between ‘humanities’ and ‘sciences’ have, in many cases, spawned their own extensive sub-histories – the history of science and, more recently, the history of the humanities. Yet categories which instead seek to draw boundaries between bodies of knowledge based on distinctions of chronological time also need to be interrogated. The spatial turn in the history of knowledge has been particularly important, with much attention paid in recent years to exploring circuits, networks, geographies and mobilities of knowledge. Less consideration, however, has been given to distinctions of chronological distance (in particular, the use of the terms ‘ancient and modern’) and the associated claims of authority, legitimacy, originality and significance, which are implied when these terms are used.

The colloquium aims to explore two related sets of questions:

(1) Firstly, how have ancient knowledges been discussed, adapted, interrogated, included, excluded or ignored by scholars, writers and thinkers but also merchants, diplomats and other creators of knowledge consciously identifying as modern?

In referring to ‘ancient’ knowledges, we are not limiting our consideration to the knowledge of Greece and Rome alone, but are keen to hear from scholars working on the later reception of ideas, texts, images and objects originating in other ancient cultures – in China, India, Persia, Africa.

In defining ‘modern’ knowledges, we are adopting Peter Burke’s identification of 15th and 16th century Renaissance humanism as the first point at which societies began to view themselves as self-consciously modern, and we will extend our area of inquiry up to the long 18th century. In adopting this definition, we are aware that we are choosing to focus on a predominantly Western understanding of modernity. At the same time, we welcome papers exploring the concept of alternative and multiple modernities developed in other parts of the globe.

(2) The second set of questions we are interested in involve the different ways in which chronological markers (‘ancient’, ‘modern’, ‘new’, ‘old’, ‘traditional’, ‘novel’) have been used to draw distinctions and make claims about the legitimacy, authority and significance of different bodies of knowledge from the Renaissance onwards.

Papers could, for example, address the following issues:
  • the role of ancient knowledge in the intersection of (and the distinction between) the natural sciences and humanities
  • the role that individuals and informal institutions such as learned societies have played as agents in the formation of concepts and categories of knowledge.
  • how reading and re-reading classical authors and ancient historians, in particular, helped to shape concepts of history, verisimilitude, plausibility and falsehood.
  • the relationship between ancient and modern historiography
  • the tradition of other ancient authors such as Plutarch, Suetonius, Cicero and Sextus Empiricus which has been particularly influential in the formation of concepts of history.


Please send abstracts of 250 words for papers of 20 minutes and a short bio to:

h.l.ellis@sheffield.ac.uk or d.miano@sheffield.ac.uk by Tuesday 1st May 2018

Heather Ellis and Daniele Miano
University of Sheffield


Dr Heather Ellis
Vice-Chancellor's Fellow
School of Education
University of Sheffield
Email: h.l.ellis@sheffield.ac.uk

CALL FOR PAPERS: Glossing Cultural Change: Comparative Perspectives on Manuscript Annotation, C. 600-1200 CE

Deadline: 28 February 2018
National University of Ireland, Galway, 21–22 June 2018

Glossing, the practice of annotating manuscripts between the lines and/or in the margins, was a widespread cultural practice wherever books were being read, studied and taught. As an indication of this, the Network for the Study of Glossing (www.glossing.org) currently has 75 members with research interests in glossed manuscripts written in Arabic, Breton, Chinese, German, Greek, Egyptian, English, French, Hebrew, Hittite, Irish, Japanese, Korean, Latin, Sanskrit, Turkish, and
Welsh.

This two-day conference aims to bring together specialists from a variety of fields to discuss aspects of glossing—in all its forms—from a comparative perspective. A particular focus will be on how glosses engage with and reflect the dynamics of contemporary cultural change, rather than acting merely as passive repositories of inherited tradition. Specific aspects of glossing could include any of the following:
  1. Glossing as a revealer of reading practices: e.g. considering the relationship between Classical/cosmopolitan written languages and spoken vernaculars; or different approaches to reading/performing sacred and secular texts.
  2. Glossing as a method of interpretation: both linguistic (translation) and cultural (e.g. mediating remote cultures and ideas).
  3. Glossing as an instrument of textual authority: mandating how texts should be read and understood; creating and re-shaping canons.
  4. Glossing as a vehicle for education: organisation of knowledge; delivery of a particular curriculum.
  5. Glossing as an intellectual effort: scholarship for its own sake; the creation of new knowledge.

Papers should last 20 minutes, allowing 10 minutes for discussion.  (Direct comparison between traditions is not expected. This will be facilitated during the event.)

This event follows on from another held at the University of Frankfurt on 2–3 December 2016. We aim to publish a selection of papers from both conferences together in a single volume.

Please send a title and abstract (300 words max) to (Pádraic Moran) by 23 February 2018.

Some limited financial assistance will be available.



Dr Pádraic Moran, Classics, NUI Galway
padraic.moran@nuigalway.ie | +353 91 492587
http://www.nuigalway.ie/classics/people/padraicmoran/
http://www.pmoran.ie


CALL FOR PAPERS: Sixth Annual Symposium on Medieval and Renaissance Studies

June 18-20, 2018
Saint Louis University
Saint Louis, Missouri

The Sixth Annual Symposium on Medieval and Renaissance Studies (June 18-20, 2018) is a convenient summer venue for scholars from around the world to present papers, organize sessions, participate in roundtables, and engage in interdisciplinary discussion. The goal of the Symposium is to promote serious scholarly investigation into all topics and in all disciplines of medieval and early modern studies.

The plenary speakers for this year will be Geoffrey Parker of The Ohio State University, and Carole Hillenbrand of the University of St Andrews.

The Symposium is held annually on the beautiful midtown campus of Saint Louis University. On-campus housing options include affordable, air-conditioned apartments as well as a luxurious boutique hotel. Inexpensive meal plans are available, and there is also a wealth of restaurants, bars, and cultural venues within easy walking distance of campus.

While attending the Symposium participants are free to use the Vatican Film Library, the Rare Book and Manuscripts Collection, and the general collection at Saint Louis University's Pius XII Memorial Library.

The Sixth Annual Symposium on Medieval and Renaissance Studies invites proposals for papers, complete sessions, and roundtables. Any topics regarding the scholarly investigation of the medieval and early modern world are welcome. Papers are normally twenty minutes each and sessions are scheduled for ninety minutes. Scholarly organizations are especially encouraged to sponsor proposals for complete sessions.

The deadline for all submissions is December 31. Decisions will be made in January and the final program will be published in February.

For more information or to submit your proposal online go to: http://smrs.slu.edu

CALL FOR PAPERS: ‘Aesthetics and Poetics in the History of Political Thought’

Image: Ambrogio Lorenzette, Allegory of Good Government (detail), c. 1338-9

Aesthetics and Poetics in the History of Political Thought
11th Annual Graduate Conference in Political Thought and Intellectual History
University of Cambridge, June 13, 2018
Keynote Address: Professor Martin Jay (Berkeley)

In recent years, appreciation for the relationships between politics and aesthetics has grown. Often associated with the writings of Jacques Rancière, partisans of the so-called ‘aesthetic turn in political thought’ have increasingly stressed the figurative and linguistic dimensions of political theory. Though these interrelationships have been a central concern of thinkers from Plato to the contemporary writings of Slavoj Žiž­­ek, much of this more recent literature recognises only a limited chronology. For intellectual historians, however, the now-classic methodological interventions of the ‘Cambridge School’ (Quentin Skinner, J.G.A Pocock and John Dunn) emphasised precisely these considerations for thinkers of a variety of historical periods. By highlighting the pivotal connections between the intentions of thinkers and the words and languages through which they were expressed, their writings confirmed Rancière’s own insistence that ‘There never has been any “aestheticization” of politics in the modern age because politics is aesthetic in principle.’

The uneasy distinctions between poetics, aesthetics and politics raise many important issues for historians of political thought. Can we sharply distinguish political and aesthetic concerns throughout history? Are political theories always determined by the languages and conventions in which they are uttered? What relationship does material culture have to the history of political thought? Aiming to explore these and related questions, the organisers of the 11th Annual Cambridge Graduate Conference in Political Thought and Intellectual History, scheduled for Wednesday, June 13, 2018, invite submissions for presentations on the theme ‘Aesthetics and Poetics in the History of Political Thought.’

Given the extensive range of the theme in question, proposals from a variety of sub-disciplines and across geographic and historical divisions are welcome. Topics can include, but are not limited to:
  • the politics of language
  • theories and nature of representation
  • histories of metaphor
  • gender, aesthetics and the political
  • the politics of art and architecture
  • conceptions of imagination and judgment
  • rhetorical strategies in the history of political thought
  • political thought and literature
  • material culture and political thought
  • the politics of cultural practice and exchange
  • national aesthetics
  • collecting and collections
  • authorial self-representation
  • histories of the book
  • illustrations, figures and the aesthetics of textuality

The conference will feature a keynote address by Professor Martin E. Jay, who is the Ehrman Professor of European History at the University of California, Berkeley. Participants will be invited to present their work in themed panels, which will be followed by question and answer sessions. Cambridge has a longstanding reputation for the study of political thought and intellectual history, and conference participants can expect to receive collegial feedback from members of the History Faculty.

Interested graduate students are asked to send an abstract (max. 500 words) for a 20-minute presentation and a short CV (max. 2 pages) to ptihconf@hermes.cam.ac.uk.

The deadline for proposals is March 1, 2018.


CALL FOR PAPERS: Medieval Mystical Theology in Dialogue with Contemporary Thought

An international conference on the occasion of the 750th anniversary of the death of Beatrice of Nazareth (1200-1268)

KU Leuven, Belgium, 30 May-2 June 2018
The annual conference of the Mystical Theology Network.

Submit your abstract

Registration will open shortly

The Institute for the Study of Spirituality and the Theology in a Postmodern Context Research Group invite abstracts for a conference that seeks to bring historical and contemporary theology into dialogue. In addition to commemorating Beatrice of Nazareth, the conference seeks to explore themes related to Beatrice’s text and context, but also to address theological issues that continue to resonate in contemporary debates. Both the historical- and contemporary-theological questions will be clustered around three main themes, but we strongly encourage interdisciplinary approaches that engage both historical and contemporary conversations.


Historical theological themes:


“Female theology” and “female mysticism”
  • Women’s medieval education and their contribution to the history of ideas and intellectual development.
  • Medieval reflections on embodiment.
  • Problematizing the idea of “women’s mysticism and theology.”

Vernacular theology and vernacular authors
  • Relationships between vernacular, monastic, and scholastic theology
  • The social and spiritual context of poverty movements in the medieval Low Countries.
  • Under-studied vernacular mystical authors and texts.

Medieval texts and sacramental theology
  • Liturgical feasts (e.g. Corpus Christi) and their connection to mystical texts (cf. Hadewijch’s Visions).
  • Devotion to the humanity of Christ in the later Middle Ages.
  • The body and/or community as a locus of spirituality and mysticism.

Contemporary theological themes:


Theology of Eros/Agape
  • The phenomenological appropriation of eros and its potential to be of use in fundamental theology.
  • Eros and questions of embodiment from a contemporary theological perspective.
  • Love and desire in contemporary thought.

Mystical consciousness and critical-theological thought
  • Mysticism and political theology.
  • Mystical consciousness and social movements and transformations; reflections on mystical theology and the “kingdom of God” (as related to Agape and Eros); social critique.
  • Engagements with critical theory, hermeneutics and hermeneutical theology.

Mysticism and sacramentality
  • Balancing the irreducible particularity of the sacraments with the universality of 'experience' or ‘consciousness’ (mystical or otherwise).
  • Interconnection and interanimation between sacramental and mystical discourse.
  • The Eucharist and mystical theology.

Call for papers deadline: 31 January 2018.


Keynote speakers:

Bernard McGinn (University of Chicago)
Amy Hollywood (Harvard University)
Carolyn Muessig (University of Bristol)
Alessandra Bartolomei Romagnoli (Pontifical Gregorian University)
Robyn Horner (Australian Catholic University)
Mark De Kesel (Radboud University, Nijmegen)

With an organizers' introduction by Lieven Boeve & Rob Faesen


Practical information:

Travelling to Leuven Accommodation

For more information, please email: John Arblaster or Derrick Witherington


CALL FOR PAPERS: Canadian Society for Renaissance Studies - Congress 2018

University of Regina / Regina, Saskatchewan, May 26, 27, and 28, 2018

The 2018 conference of the Canadian Society for Renaissance Studies / Société canadienne d’études de la Renaissance (CSRS/SCÉR) will be hosted by the University of Regina as a part of the Canadian Federation for the Humanities and Social Sciences’ annual Congress of the Humanities and Social Sciences. The theme for the CFHSS Congress 2018 is “Gathering diversities.”

The CSRS/SCÉR invites members to submit proposals that address the 2018 Congress theme in relation to the Renaissance and/or early modern period (approximately 1400-1700). For example, proposals responding to the theme of “Gathering diversities” could include topics exploring the Renaissance from a global or non-European perspective. In addition, we welcome proposals on any topic relevant to this period in a full range of disciplines, such as art history, bibliography, book history, cultural studies, digital humanities, history, literature, medicine, music, or philosophy. Cross-disciplinary and interdisciplinary approaches are particularly welcome. Proposals can be submitted in either English or French, and should fall into one of the following categories:

a) an individual proposal (maximum 300 words) for a 20-minute paper;

b) a panel of three proposed 20-minute papers that address a defined theme (to be submitted in one file listing the names and institutional affiliations of the organizer(s) and participants, the proposed title of the session, a brief description (of 100 to 300 words) of the theme, and 300-word abstracts of each of the three proposed papers);

c) a workshop or roundtable discussion (to be submitted in one file including the names and institutional affiliations of the organizer and proposed speakers, the proposed title of the session, a 300-word paragraph outlining the focus and goals of the session, as well as the anticipated contributions of all of the participants).

The deadline for submitting all of the above proposal, panel, and workshop/roundtable options is 15th January 2018. Please submit your proposal (a) or proposed session (b or c) together with a brief (100-word) bio for each participant indicating presenter or speaker’s name, institutional affiliation, position (graduate student, faculty member, independent scholar, etc.) and full contact information to both Program Co-Chairs, Dr. Anne James and Dr. Jeanne Shami, no later than 2nd February 2018.

Please note: acceptance of successful submissions will be sent out by the end of February 2018. To participate in the conference, you must be a member in good standing of the CSRS-SCÉR for the year 2018. To inquire about membership or find out more about the Society, see our website at www.csrs-scer.ca.


APPEL DE COMMUNICATIONS
SOCIÉTÉ CANADIENNE D’ÉTUDES DE LA RENAISSANCE
CONGRÈS 2018 : 26, 27 et 28 MAI 2018
UNIVERSITÉ DE RÉGINA / RÉGINA, SASKATCHEWAN

Le prochain congrès de la Société canadienne d’études de la Renaissance (SCÉR) aura lieu du 26 au 28 mai 2018, à l’Université de Régina (Régina, Saskatchewan), dans le cadre du Congrès annuel de la Fédération canadienne des sciences humaines (FCSHS). Le congrès de la Fédération a pour thème « Diversités convergentes ».

La SCÉR invite ses membres à soumettre des propositions de communication qui abordent ce thème en rapport avec la Première Modernité (1400-1700) ou tout autre sujet relatif à la Renaissance dans les disciplines qui les intéressent : littérature, histoire, philosophie, musique, histoire de l’art, histoire du livre, bibliographie, études religieuses, médecine, études culturelles, humanités numériques, etc. Par exemple, des propositions se rapportant au thème des « Diversités convergentes » pourraient traiter de sujets explorant la Renaissance dans une perspective non européenne ou d’un point de vue plus global. Les propositions de communication interdisciplinaires ou pluridisciplinaires sont aussi les bienvenues. Les communications peuvent être soumises et présentées aussi bien en anglais qu’en français et ressortir à l’une ou l’autre des trois catégories suivantes :

a) une proposition de communication individuelle de vingt minutes sur un sujet librement choisi (maximum 300 mots); b) une séance de trois communications de vingt minutes chacune sur un thème commun (à soumettre en un seul dossier incluant le nom de l’organisateur ainsi que les noms des participants et leurs affiliations institutionnelles, de même que le titre de la séance proposée, une brève description du sujet (de 100 à 300 mots), les trois propositions de communication (maximum 300 mots chacune) et l’ordre de présentation souhaité des conférenciers;

c) un atelier ou une table ronde (à soumettre en un seul dossier incluant le nom de l’organisateur ainsi que les noms des participants et leurs affiliations institutionnelles, de même que le titre de l’atelier ou de la table ronde, et un paragraphe (maximum 300 mots) décrivant le sujet et les objectifs de même que la contribution attendue de la part de chaque participant).

Veuillez noter que, cette année, la date limite pour l’envoi des propositions de communication, de séance, d’atelier ou de table ronde, est le 15 janvier 2018. Les communications étudiantes sont vivement encouragées. Merci d’envoyer vos propositions de communication (A), de séance, d’atelier ou de table ronde (B ou C) accompagnées d’une brève notice (100 mots) indiquant le nom du conférencier, son affiliation institutionnelle, son statut (étudiant au cycle supérieur, professeur, chercheur indépendant, etc.) et ses coordonnées complètes (adresse postale et adresse courriel), aux deux coresponsables du programme : Anne James et Jeanne Shami au plus tard le 2 février 2018.

Veuillez noter que l’annonce des propositions qui auront été retenues sera envoyée aux participants à la fin du mois de février 2018. Afin de participer au congrès, vous devez être un membre en règle de la SCÉR pour l’année 2018. Afin d’obtenir des renseignements relatifs à l’adhésion à la SCÉR ou pour en savoir davantage au sujet de notre Société, visitez le site internet à l’adresse électronique suivante : www.csrs-scer.ca.


Please feel free to direct any questions to Dr. Margaret Reeves

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Dr. Margaret Reeves
President, Canadian Society for Renaissance Studies /
Société canadienne d'études de la Renaissance
Department of Critical Studies (English Program)
169 CCS, 1148 Research Road
University of British Columbia, Okanagan Campus
Kelowna, B.C. V1V 1V7

CALL FOR PAPERS: Scientiae: Disciplines of Knowing in the Early Modern World

16-19 May 2018

University of Minnesota, Twin Cities

Minneapolis, USA
Keynotes: Surekha Davies (Western Connecticut State University) and Vladimir Urbanek (Academy of Sciences of the Czech Republic)

The Programme Committee for the 7th Annual Scientiae Conference invites submissions for individual papers or special panels on the disciplines of knowing in the early modern world (roughly 1400-1800), to be held at the University of Minnesota, 16-19 May 2018.

The major premise of the Scientiae Conference series is that knowledge during the early modern period was pre-disciplinary, involving complex mixtures of theories, practices and objects, which had yet to be separated into their modern ‘scientific’ configurations. Although centred on attempts to understand and control the natural world, Scientiae addresses natural philosophy, natural history, and the scientiae mixtae within a wide range of related fields, including but not restricted to Biblical exegesis, medicine, artisan practice and theory, logic, humanism, alchemy, magic, witchcraft, demonology, divinatory practices, astronomy, astrology, music, antiquarianism, experimentation and commerce. The conference and the sessions are interdisciplinary and intended to foster debate, one of Scientiae’s defining values.

While the Programme Committee welcomes proposals for 20-25 minute papers from any disciplinary perspective, we would like to encourage submissions that seek to examine modes of early modern knowledge formation and application that cross traditional national, geographic, linguistic or intellectual borders.

For 2018, we would also like to invite proposals for a series of special 2-hour interdisciplinary panels. These should be organised by theme and include three speakers and a commentator who treat the issue from different disciplinary perspectives.

The Program Committee welcomes sessions that present the scholarship of members at various stages of their careers. However, graduate student speakers must be advanced students who have completed coursework, examinations, and much of their dissertation research, and expect to defend their dissertations in the next two years.

Individual papers should include a 250-word abstract and a 1-page CV. Panel proposals should consists of a single 250-word description of the theme under discussion, and three 100-word outlines of how each paper will contribute to this theme, and from what discipline/angle.

Email proposals to: scientiaeminnesota [at] gmail.com

Deadline: 25 November 2017.

We will notify all contributors by 5 January.

“What do historians of mathematics do?” - Oxford Mathematical Institute, History of Mathematics Seminar

A series of talks whose aim is simply to answer the question in the title. The talks will take place at 4pm on Tuesdays of weeks 2-4 in the Andrew Wiles Building (Radcliffe Observatory Quarter Woodstock Road, Oxford) in lecture room L3. No previous knowledge is required. All are welcome.

Week 2 - 1 May 2018
“The World Is Round. Or, Is It, Really?” A Global History of Mathematics in the 17th Century Tomoko L. Kitagawa (UC Berkeley & Oxford Centre for Global History)

Week 3 – 8 May
“Perseverance and intelligence, but no genius”: Mary Somerville's theory of differences Brigitte Stenhouse (The Open University)

Week 4 – 15 May
Euclid's Elements of Geometry in Early Modern Britain Yelda Nasifoglu (History Faculty)


Further details, including abstracts can be found here.

The British Society for the History of Science Singer Prize 2018

The BSHS is delighted to invite submissions for the Singer Prize 2018. The prize, of up to £300, is awarded every two years to the writer of an unpublished essay, based on original research into any aspect of the history of science, technology or medicine.

The prize is intended for younger scholars or recent entrants into the profession. Candidates must be registered for a postgraduate degree or have been awarded such in the two years prior to the closing date. All nationalities are welcome.

Essays must not exceed 8,000 words and should be submitted in English. They should adhere to BJHS guidance to authors in all respects.

The prize may be awarded to the writer of one outstanding essay, or may be awarded to two or more entrants. Publication in the British Journal for the History of Science will be at the discretion of the Editor. Essays under consideration elsewhere or in press are not eligible.

The deadline for submissions is 30 April 2018. Submissions should be emailed to the BSHS Executive Secretary, Lucy Santos, office@bshs.org.uk with ‘Singer entry’ and the author surname in the subject line.

For further information please see http://www.bshs.org.uk/prizes/singer-prize

Charlotte Sleigh
Professor of Science Humanities
University of Kent


A: School of History | Rutherford College | University of Kent | Canterbury CT2 7NX | UK
E: c.l.sleigh@kent.ac.uk
Tw: @KentCHOTS
Bl: http://blogs.kent.ac.uk/sciencecomma/
W: http://www.kent.ac.uk/history/staff/profiles/sleigh.html

AHRC Collaborative Doctoral Partnership Studentship

We invite applications for the following AHRC Collaborative Doctoral Partnership Studentship at the University of Kent and National Maritime Museum.

The Royal Observatory, Greenwich, and its networks of support and influence, 1675-1742

Deadline: 7 May 2018, 17:00

Supervisors: Dr Rebekah Higgitt (Senior Lecturer in History of Science, School of History, University of Kent) and Dr Richard Dunn (Senior Curator for the History of Science at the National Maritime Museum)


The Project

We seek applications from outstanding postgraduate students for this collaborative doctoral award, starting in September 2017. This project aims to develop a new approach to the institutional history of the Royal Observatory, Greenwich. Using the Observatory as a central hub, it proposes to explore the local, national and international networks of astronomy, practical mathematics, navigation, education, print and instrument making that supported its work and developing reputation. It will focus on the period of the first two Astronomers Royal, John Flamsteed and Edmond Halley, aiming to better understand the role, milieu and development of this key institution in its foundational years. This research will draw on work on geographies of knowledge, material culture and book history in order to gain a fuller picture of contexts in which mathematical and instrumental knowledge was developed and used. The project will make use of a range of archival sources and object, book and image collections, especially those of the NMM. The student will have the opportunity to enhance the Museum’s cataloguing and interpretation within public programming and displays, and to feed into the development of plans for the 350th anniversary of the Royal Observatory (2025-26), which forms part of the NMM (collectively, with The Queen’s House and Cutty Sark, known as Royal Museums Greenwich). They will also be able to contribute to Dr Higgitt’s research project, Metropolitan Science: Places, Objects and Cultures of Knowledge and Practice in London, 1600-1800, in partnership with the Science Museum.

Studentship information

The standard tuition fees and stipend (maintenance grant) will be paid by the AHRC to the award holder subject to the eligibility criteria outlined by them. The AHRC stipend for 2018/19 is £14,777 (full-time, pro-rata for part-time) plus an additional stipend of £500 for Collaborative Doctoral Students. The funding is for 3 years (full time) and there is an opportunity to apply for an additional six months of funding from the AHRC’s Student Development Fund, which can (subject to agreement) be used to support appropriate training or a placement based on the student’s individual training needs. The NMM will also provide £1000 per year for three years (subject to agreement) to support the student’s research-related expenses such as travel costs.


To apply:

Applicants should have: a First Class or Upper Second Class Honours degree in an appropriate discipline; a masters degree in an appropriate discipline, although applicants who do not hold a masters degree will be considered if they can demonstrate sustained and relevant experience and meet the criteria outlined in the AHRC guidelines.

Candidates must meet the AHRC's academic criteria and eligibility criteria: AHRC.


To apply please send the following by email as a single document (Word or PDF) to r.higgitt@kent.ac.uk.
  • A cover letter.
  • A current CV, including your academic qualifications to date and anticipated results if you are still studying.
  • Two letters of academic reference to be included with the rest of your application. 


The deadline for applications is 17.00 on Monday 7 May. Shortlisted applicants will be asked to supply a writing sample on a related topic. Interviews will likely be held on 3 July.

For further information please contact Rebekah Higgitt r.higgitt@kent.ac.uk or Richard Dunn RDunn@rmg.co.uk.

https://www.kent.ac.uk/scholarships/search/FN05AHRCNM02

Dr Rebekah Higgitt | Senior Lecturer in History of Science
Centre for the History of the Sciences | School of History
W2.W6 Rutherford College | University of Kent | Canterbury | Kent CT2 7NX
Web: http://www.kent.ac.uk/history/staff/profiles/higgitt.html

Society for the History of Alchemy and Chemistry Award Scheme 2018

Opening date: 1 March 2018

Closing date for applications: 31 May 2018

The Society for the History of Alchemy and Chemistry invites applications for its Award Scheme for 2018. SHAC offers two types of award: support for research into the history of chemistry or history of alchemy by New Scholars and support for Subject Development of either history of chemistry or history of alchemy. It is expected that applicants will be advised of the outcome of their application by 31 July 2018. The Awards are most suitable for activities to be undertaken in the academic year October 2018–September 2019.

New Scholars Awards are open to post-graduate students (both masters and doctoral students) and those who have obtained a PhD since 1 January 2013. Awards of up to £750 will be made to cover research expenses, including travel, accommodation, subsistence, the reproduction of documents, and library fees. Applications may also include the costs of reproducing images for publication. The Scheme does not fund the purchase of equipment or course fees.
In addition, post-graduate students only may apply for the costs of travel to conferences and accommodation, but only in order to give a paper. The Scheme does not pay conference registration fees.

Subject Development Awards of up to £750 may be made to support activities such as seminars, workshops, colloquia, lecture series, conference sessions, conferences, exhibitions and outreach activities that support either the history of chemistry or history of alchemy as academic subjects.

Please note that activities covered by the Awards do not have to occur in the UK, and that the Awards are open to members of the Society resident both in the UK and elsewhere. Members who have applied to the Scheme in previous years, whether successfully or not, are entitled to make an application in 2018.

Applicants must be members of the Society in good standing at the time of making an application, and, if successful, throughout the period of an award. For more information and application forms, please contact grants@ambix.org. Membership enquiries should be made to newjoiner@ambix.org.

An activity report must be submitted at the end of the Award. This will usually be published in SHAC’s Chemical Intelligence newsletter.
For more information please visit http://www.ambix.org/grants/

Sent on behalf of the Society for the History of Alchemy and Chemistry by Dr Anna Simmons, Secretary

CALL FOR PAPERS: 'Artisans of the Surface' 1450-1750

20-21 September 2018,  King's College London

This workshop focuses on the practices of a range of artisans (tailors, barbers, cooks, cheesemakers, gardeners, and agronomists) and their relationships with the fields of meteorology, botany, natural history, medicine, earth sciences, and veterinary medicine. These artisans and their practices shared a set of skills related to the observation and manipulation of human and non-human surfaces. We will explore how, and if, practical knowledge about the surface of things and bodies (and their storage and preservation in relation to specific environmental conditions) led to the concept of nature and matter as composed of layers, and how such a framework contributed to the demise of traditional Galenic and Aristotelian views on nature.

This workshop also aims at getting past the dichotomies between quantitative and qualitative knowledge and between natural philosophy and the arts, and so we intend to broaden the focus to include a set of artisans who have traditionally remained invisible from accounts of this ‘age of the new’. We will explore the many different ways in which ‘modern science’ emerged, the relationships between social and cognitive practices, and the contribution that non-mathematical sciences gave to the mental habits of observing, collecting, experimenting with, and manipulating natural matter.

Confirmed speakers are Emanuele Lugli (York) on tailors, Elaine Leong (MPIWG, Berlin) on domestic health practices, Bradford Bouley (UC Santa Barbara) on butchers, Maria Conforti (La Sapienza) on the surface of the earth, and Carolin Schmiz (EUI) on barber-surgeons. Sandra Cavallo (Royal Holloway) will offer final remarks. We welcome proposals that complement these topics, in particular those that address the relationships between gardening, natural history, and medicine; cooking and knowledge; work on animal skin; leatherwork; or veterinary medicine. Presentations will be followed by ample time for discussion and reflection, and so we are happy for works in progress.

Proposals (up to 250 words) for 20-minute papers should be sent to Paolo Savoia at renaissanceskin@kcl.ac.uk by 8 June 2018. We may be able to provide speakers with reasonable accommodation and travel costs. Please indicate when you apply if you will require assistance with expenses.


Dr. Paolo Savoia|Postdoctoral Research Fellow
'Renaissance Skin' (Wellcome Trust)
King's College London|Strand|London WC2R 2LS|room K0.27
Phone: +393332802718|Email: paolo.savoia@kcl.ac.uk
Twitter: @RenSkinKCL
https://renaissanceskin.ac.uk/

The Leonardo da Vinci Society Annual Lecture 2018

Friday 4 May 2018, 6 pm - 7 pm
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art,
Somerset House, Strand, London, WC2R 0RN

Pascal Brioist (Centre d'études supérieures de la Renaissance, University of Tours): “Leonardo da Vinci and bio-inspiration.”

Bio-inspiration is not entirely our own invention: in the Renaissance, engineers looked at natural forms and were convinced that mimicking nature offered technical solutions to their own problems. Leonardo da Vinci was certainly the most careful observer of nature of his time, and as a result it has become commonplace to judge that he used bio-mimetism as a way to find inspiration. Recently, scientists have claimed that Leonardo was a kind of precursor for bionics ; but the intellectual process of imitation adopted by Leonardo da Vinci has not been fully investigated. This presentation will delve deeper into this issue, looking especially at Leonardo’s imitation of birds, insects and flying fishes in order to study the possibilities of human flight.

Pascal Brioist is Professor of History and researcher at the CESR since 1994; he completed his PhD at the European University Institute in Florence in 1992. A specialist in cultural history and the history of England, his work has dealt mainly with techniques and the history of science, especially through the study of Leonardo da Vinci. He has published several books about Leonardo: Da Vinci Touch (2014), dedicated to the needs of blind people, Léonard de Vinci, homme de guerre (2013), Léonard de Vinci : Arts, sciences et techniques (2011) and Léonard de Vinci, ingénieur et savant (2008).

All welcome.

Dutch Seminar in Early Modern Philosophy

Utrecht University, The Netherlands, 30-31 May 2018

Program
Wednesday 30 May 2018

8:30 am Arrival

9:00 am Keynote: Karin de Boer (KU Leuven): Kant’s Inquiries into a New Touchstone for Metaphysical Truth

10:30 am Coffee

10:45 am Hadley Marie Cooney (University of Wisconsin-Madison): Cavendish and Descartes on Animal Consciousness

11:30 am Botond Csuka (Eötvös Loránd University): “Gentle” and “Gross” Exercises: Aesthetic Experience and Well-Being in Addison’s Essays

12:15 pm Alan Nelson (University of North Carolina at Chapel Hill): Locke on Ideas of Reflection, Inner Sense, and the Historical Plain Method

1:00 pm Lunch (own arrangements)

2:15 pm Anna Markwart (Nicolaus Copernicus University in Toruń): Sophie de Grouchy and Adam Smith: Education for Sympathy

3:00 pm Stephen Evensen (Biola University): Reading Kant Through Grotius: Is the Categorical Imperative Substantive or Procedural?

3:45 pm Stephen Howard (KU Leuven): Physical and Psychological Forces in Wolff, Baumgarten, and Kant

4:30 pm Tea

4:45 pm Nathan Porter (University of Utah): Spinoza's Theodicy (via Skype)

5:15 pm Nastassja Pugliese (University of São Paulo): Substance and Individuation in Anne Conway as a Critique to Spinoza

6:00 pm Adam Harmer (University of California, Riverside): Anthony Collins on Texture and Structural Emergence
Thursday 31 May 2018

8:30 am Doors open

9:00 am Iulia Mihai (Ghent University): Du Châtelet on the Principle of Continuity, Change and Process

9:45 am Scott Harkema (Ohio State University): On the Role of Illusion in Du Chatelet’s Theory of Happiness

10:30 am Coffee

10:45 am Boris Demarest (University of Amsterdam): Soul as Nature: the Naturalist Animism of Van Helmont and Stahl

11:30 am Keynote: Christia Mercer (Columbia University): Descartes’ Demons and Debts, or Why We Should Work on Women in the History of Philosophy

1:00 pm End


Attendance is free and all are welcome, especially students.

Register here: Dutch Seminar in Early Modern Philosophy

Sponsors
  • History of Philosophy Group, Utrecht University
  • Descartes Centre for the History and Philosophy of the Sciences and the Humanities, Utrecht University
  • Groningen Centre for Medieval and Early Modern Thought, Faculty of Philosophy, University of Groningen
  • Study Group in Early Modern Philosophy, OZSW

OrganizersChris Meyns (Utrecht)
Andrea Sangiacomo (Groningen)


Dr Chris Meyns | Assistant Professor of Philosophy | chrismeyns.xyz | on Twitter | Google Scholar | LinkedIn

Society for the History of Alchemy and Chemistry Award Scheme 2018

Opening date: 1 March 2018

Closing date for applications: 31 May 2018

The Society for the History of Alchemy and Chemistry invites applications for its Award Scheme for 2018. SHAC offers two types of award: support for research into the history of chemistry or history of alchemy by New Scholars and support for Subject Development of either history of chemistry or history of alchemy. It is expected that applicants will be advised of the outcome of their application by 31 July 2018. The Awards are most suitable for activities to be undertaken in the academic year October 2018–September 2019.

New Scholars Awards are open to post-graduate students (both masters and doctoral students) and those who have obtained a PhD since 1 January 2013. Awards of up to £750 will be made to cover research expenses, including travel, accommodation, subsistence, the reproduction of documents, and library fees. Applications may also include the costs of reproducing images for publication. The Scheme does not fund the purchase of equipment or course fees.
In addition, post-graduate students only may apply for the costs of travel to conferences and accommodation, but only in order to give a paper. The Scheme does not pay conference registration fees.

Subject Development Awards of up to £750 may be made to support activities such as seminars, workshops, colloquia, lecture series, conference sessions, conferences, exhibitions and outreach activities that support either the history of chemistry or history of alchemy as academic subjects.

Please note that activities covered by the Awards do not have to occur in the UK, and that the Awards are open to members of the Society resident both in the UK and elsewhere. Members who have applied to the Scheme in previous years, whether successfully or not, are entitled to make an application in 2018.

Applicants must be members of the Society in good standing at the time of making an application, and, if successful, throughout the period of an award. For more information and application forms, please contact grants@ambix.org. Membership enquiries should be made to newjoiner@ambix.org.

An activity report must be submitted at the end of the Award. This will usually be published in SHAC’s Chemical Intelligence newsletter.
For more information please visit http://www.ambix.org/grants/

Sent on behalf of the Society for the History of Alchemy and Chemistry by Dr Anna Simmons, Secretary

Post-Doctoral Research Fellowship at The Warburg Institute

Post-Doctoral Research Fellowship in the History of Art, Science and Folk Practice
Job Reference: 01070
Closing Date: 22/05/2018
Salary: £34,831 fixed for 2 years

The Warburg Institute is seeking to appoint a post-doctoral research fellow associated with its newly established Professorship in the History of Art, Science and Folk Practice. This is a two-year position, with an emphasis both on developing the candidate’s own research and on collaborating on interdisciplinary projects under way at the Warburg Institute.

The candidate will have completed their PhD by September 30, 2018, and will be establishing a compelling research orientation in one or more of the fields of the History of Science, History of Art, and Cultural or Social Anthropology. In keeping with the forward-looking approach of the current Warburg Institute, the candidate’s work should explore connections among the history of science, the history of art and images, and historical or present cultural practices. S/he will work closely with the new Chair, Professor John Tresch, and will support the Institute’s ambitions to restore, develop and elaborate the theoretical, cultural historical and anthropological implications of the work of Aby Warburg.

This is fixed term post for 2 years.

For more information visit the Institute’s website here:

https://www.jobs.london.ac.uk/displayjob.aspx?jobid=1084&utm_source=Warburg+Library+Reader&utm_campaign=fdae8cedf3-Warburg+Newsletter_Summer+2018+%282%29&utm_medium=email&utm_term=0_544de8ae3c-fdae8cedf3-527965989